HARRIET M. TALMAN. 377 Let it be some tall oak or pine, Song birds its lower limbs adorn. Let it be straight and strong as he, With all its arms upraised to heaven, While warring eagles guard his grave, SING ME OLD SONGS. SING me old songs, to younger lives Sing the old songs you used to sing, Sing me old songs, to younger lives, Strange words, new tunes give greater zest, But to tired travelers on life's way, The oldest, plainest, are the best. Sing me old songs, while fashion's crowd Grow sweeter still to you and me. Sing me old songs, upon the new, FLORIDA. Here orange blossom's virgin breaths, Here guava yields her luscious jell, -Florida and New England. SUPPOSE, (from the standpoint of reasons own sway,) The "might have beens" realized and living to-day, Materialized fancies in every-day dress, Incongruous medley, you're bound to confess. "Maud Muller" so sweet in her "meadow of hay," So the "might have been" fancies with those of today, Are mingling, and gliding, and melting away, THE OLD SONGS. "How I love the songs you used to sing While the years flit by with noiseless wing, Sweet, careless freedom of youthful day, Let the songs flow on! yes, ever and aye, For the past was but a dream. And the beautiful real is here, and now; The morrow is coming, we know not how, And the songs of to-day, and the "long ago," SHERMAN D. RICHARDSON. OL. SHERMAN D. RICHARDSON, is known as the soldier poet, orator and author. His famous battle poems, "Sheridan at Stone River," and "Hancock at Gettysburg," have given him a national reputation as a poet, and wherever he recites them, a position in the front rank of elocutionists. He donned the blue at the age of sixteen, and wore the bars at seventeen,-the youngest officer in his Corps. He bears marks of the war. He is a member of the G. A. R. He resides in Rochester. Editor. SHERIDAN AT STONE RIVER. DEDICATED TO THE ARMY OF THE CUMBERLAND. Four miles of guns pointing east at the foe; Like a statue of stone in the morning's gray light "Little Phil" and his steed wait the sound of the fight. Tho' his heart throbs impatient, his face shows no sign, Save the swift sweeping glance down the dim, silent line. 'Tis the calm of the master, but deep in his breast One by one the stars vanish as upward on high trees: 'Tis the pause before battle-the halting of doom, When carnage is crouching to spring from the gloom Have pity, O God of the battle, to day But hark! from the southward the boom of a gun, They have captured our cannon-no power can withstand: Brave Davis and Johnson are swept from the field, The "Pride of the West" to the foeman must yield. "To the foeman must yield?' What, the boys I led? Repeat but those words and disgrace on your head! Aim low, boys, and give them a breakfast of lead!” Ah! bravest of brave those words have quick sped To the boys where the bullets are heaping the dead, And the flash of your sword as you ride down the line Now makes their blood boil as if drunken with wine. But the flash of your eye is an army in power, Closer and closer he gathers his men, But see! there's the signal-thy duty is done- "Here's all that is left." What are left are but few, To brave "Little Phil," who would never retreat! DELLE WHITNEY NORTON. DENVER JIM. SAY, fellers, that onery thief must be nigh us, Say, stranger, good mornin'. Why, dog blast my lasso, boys, If it aint Denver Jim that's corraled here at last, Right aside of the filly. Well, Jim, we are sarchin' All night fur a conple about of yer cast; And seein' yer enter this openin' so charmin' We thought that perhaps yer might give us the trail. Havn't seen anything that wud answer description? What a nerve that chap has, but it can not avail. Want tu trade hosses fur the one I am stridin'? Will give me five hundred betwixt fur the boot? Say, Jim, that are gold is the strongest temptation, And many a man would say "give it and skoot." But we don't belong to that denomination; Yer have got to the end of yer rope, Denver Jim. In ten minutes more we'll be crossin' the prairie, And yer will be hangin' right there from that limb. Have yer got any speakin' why the sentence aint proper? Here, take yer a drink from the old whiskey flask Ar' not dry? Well, I am, and will drink to yer, partner, And the wish that this court will not bungle its task. There, the old lasso circles yer neck like a fixture; What's that? So yer want me to answer a letter, My dearest son, James, somewhere out in the west, For long weary months I've been waiting for tidings, Since your last loving letter came eastward to bless. 379 "God bless you, my son, for thus sending that money, Remembering your mother when sorely in need; May the angels from heaven now guard you from danger, And happiness follow your generous deed. How I long so to see you come into the doorway, As you used to of old, when weary, to rest; May the days be but few when again I can greet you, My comfort and staff, is your mother's request.' Say, pard, here's yer letter. I'm not good at writin', I think you'll do better to answer them lines; And fur fear I might want it I'll take off that lasso, And the hoss yer can leave when yer get to the "Pines." And, Jim, when yer see yer old mother jist tell her That a wee bit of writin' kinder hastened the day When her boy could come eastward to stay with her always; Come, boys, up and mount to and Denver away. O'er the prairie the sun tipped the trees with its splendor, The dew on the grass flashed its diamonds so But morning's light or evening's star And so she sails in fruitless quest Her pennant never homeward flies. 'T is possible the way she's lost, Or suffered shipwreck on some shore; But whether she's becalmed or tossed By tempests, she returns no more! Therefore I'm looking out alway, With eyes tear-blinded, o'er the sea; In hope she will sail back some day With rest for my poor heart and me. DO NOT SLAM THE GATE. O HARRY! pray don't laugh at me!— But when you go so late, I wish you would be careful, dear, And never slam the gate! For Bessie listens every night, 'T was nearly ten last night, you know, But now 't is very late (We have discussed so many things); O do not slam the gate! For if the neighbors hear you, they Will say our future fate We have been talking over, so I know 't will only be the truth, At least not now. But by-and-by, For whether you go out or in, They will not care to tease me then, ANNA STARBUCK JENKS. THE sea-girt island of Nantucket was the birth place of Mrs. Anna Starbuck Jenks, wife of Dr. Arthur Elwell Jenks. Although of New England birth, the city of Rochester, N. Y., has been the home of Mrs. Jenks, since early childhood. There she was formerly well known for her prose and poetic contributions to the local press and foreign publications over the name of Anna C. Starbuck. Mrs. Jenks has contributed to the Democrat and Chronicle, Post-Express, Union and Advertiser, and Jury of Rochester, to Judge, Forest and Stream, and to the Cosmopolitan Magazine. Among her literary admirers, she numbered the late venerable poet Whittier, from whom she once received an autograph letter of encouragement and grateful recognition. A. E. J. ST. MALO'S CAPE. ST. MALO, hermit of the hills, Let fall his cape of ample fold Upon the dewy mountain grass, The while his orisons he told. Such holy calm enwrapped him there, Then through the hermit's gentle heart He left his cape for largess, while For days she sat upon her nest, And Malo watched her brooding joy, While mountain zephers fanned his cheek And soothed his life from all annoy. And, lo! one morning when the sun And overhead the mother-bird Made all the air with music ring, While of the hermit's tenderness She taught her infant bird to sing. And all the flowerets shook with joy, ARTHUR ELWELL JENKS. 381 The hermit turned unto the Lord, And chanted praise where praise was due, And Malo raised his beaming eyes, MID-SUMMER. THE moments come, the moments go; Each tender leaf and clover-bloom Makes ready for the sickle-blade; The sky drops down a sweet perfume Of dew-drops, when the sunsets fade. The chanting voices of the wood, The meadow's song of glad assent, Unerring prophesies of good, Breed cheerfulness and sweet content. The moments come, the moments go, From out her purple velvet hood The pansy lifts her quiet eyes, While mignonette and brierwood Are trembling with a rich surprise. A brooding peace is over all, A sense of rest, a sense of love, And still small voices seem to call Our kneeling hearts to His above. So moments come, and moments go, I only know the summer's flow MARY. Above the manger, where the Christ-child lay, DR ARTHUR ELWELL JENKS. R. ARTHUR ELWELL JENKS has won for himself an enviable reputation as a public speaker. His lectures indicate what might be called literary conscience, both in careful diction and in thoughtful sympathy with his subjects. The titles of some of his popular lectures are “Footprints in Art and Literature," "Master Spirits of our Century," "Dickens' Place in our Hearts and Homes," "On the Lookout," "What will it Amount to?" "The Crucible and the Ingot." Dr. Jenks is of New England ancestry, the son of the late George W. Jenks, and of an eminently intellectual family. On his mother's side he is a direct descendant of the Winslows, of "Mayflower" fame. He was born in Nantucket, Mass., and was graduated from the high school there. He was in dental practice in Nantucket for twenty-five years, going to Rochester in the winter of 1890. He has done a considerable editorial work. A. S. J. THE MONK'S VISION. A LONELY monk, so runs an olden story, He held a jewelled cross aloft, adoring The love of Christ that symbol typified: "Would I could paint," he mused, with eyes imploring, "The face of Him who for my ransom died! "I would adorn these walls with hues resplendent; "But men look at my finest efforts, sneering; And will He more than these, my work admire? No! I'll destroy them all!" the monk cried, fearing, "If thus I may be purified by fire." Lo! suddenly, in spotless vestments shining, Our Saviour blessed the monk on bended knee; "I crown thy labors; henceforth cease repining; Take thou each daily cross and follow me." The monk looked up, his choicest pictures gleaming With living colors artist never knew; |