MacbethCambridge University Press, 24.07.1997 - 280 Seiten One of Shakespeare's greatest, but also bloodiest tragedies, was written around 1605/06. Many have seen the story of Macbeth's murder and usurpation of the legitimate Scottish King Duncan as having obvious connection to contemporary issues regarding King James I (James VI of Scotland), and the Gunpowder Plot of 1605. King James was particularly fascinated with witchcraft, so the appearance of the witches chanting "Fair is foul, and foul is fair" at the opening of the play seemed particularly topical, as was Macbeth's betrayal of Banquo, from whom James claimed direct descent. However, the play is clearly far more than a piece of royal entertainment. It is also a fast-moving and dramatically satisfying piece of theatre. Macbeth's existential struggle between loyalty to his King and his "Vaulting ambition" is fascinating to watch, as his is struggle with Lady Macbeth, and her own terrifying refusal of her maternal role. The play shows an intensification of Shakespeare's interest in mothers and their effect upon ruling masculinity, and also contains some of the most memorable speeches in the entire canon, including Macbeth's reflections that ultimately life "is a tale / Told by an idiot, full of sound and fury, / Signifying nothing". |
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... text Note on the Commentary List of characters THE PLAY 29 ༠ ་ ཆེ £ 43 56 57 67 84 888556 95 97 100 102 Supplementary notes 239 Textual analysis 245 Appendix 1 : Casting Macbeth 264 Appendix 2 : Additional text and music 268 Appendix 3 ...
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Inhalt
Macbeth in legend Macbeth in history | 2 |
Topical Macbeth | 5 |
Occasional Macbeth | 8 |
Documents | 13 |
Macbeth in the mind | 15 |
doubly redoubled strokes | 23 |
witches women and mediated knowledge | 29 |
the languages of Macbeth | 43 |
Act 4 Scene 3 | 88 |
Note on the text | 95 |
Note on the Commentary | 97 |
List of characters | 100 |
THE PLAY | 102 |
Supplementary notes | 239 |
Textual analysis | 245 |
Casting Macbeth | 264 |
Macbeth in performance | 56 |
Performance and adaption before 1800 | 57 |
Later stagings and versions | 67 |
Kurosawa Polanski Ninagawa | 84 |
Additional text and music | 268 |
Relineation of the Folio | 275 |
Reading list | 279 |
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actor Adelaide Ristori APPARITION appears audience Banquo bell blood Brooke Capell castle Cercignani citing Compare Compositor Coriolanus critics daggers Davenant's David Garrick death deed Dent Donaldbain dramatic Duncan E. K. Chambers earliest citation echoes edited editors England English Enter MACBETH Exeunt Exit fear Fleance Folio Garrick Ghost hath Hecate Henry History Holinshed honour Jacobean John kill Knock Lady Macbeth Lady Macduff later Lear LENNOX lord Macready Malcolm meaning metaphor Middleton Muir night OED's performance phrase play play's political Pope Porter production prophecy proverbial quoting this line ROSS Rowe royal sb¹ Scene Schäfer Scotland Scots Scottish Seyton Shake Siddons sisters SIWARD sleep speak speech stage Steevens³ subst Supplementary Note tanistry Textual Analysis Thane theatre theatrical thee Theobald Thomas Thomas Middleton thou thought tion Tragedy vols W. W. Greg weird weird sisters weyard wife William Shakespeare witchcraft witches word
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