A Year from Monday: New Lectures and WritingsWesleyan University Press, 01.01.2012 - 179 Seiten Includes lectures, essays, diaries and other writings, including "How to Improve the World (You Will Only Make Matters Worse)" and "Juilliard Lecture." |
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Seite ix
... sounds and noises more useful aesthetically than the sounds produced by the world's musical cultures, but that, when you get right down to it, a composer is simply someone who tells other people what to do. I find this an unattractive ...
... sounds and noises more useful aesthetically than the sounds produced by the world's musical cultures, but that, when you get right down to it, a composer is simply someone who tells other people what to do. I find this an unattractive ...
Seite 5
... sounds surprise us, echoes of shouts we make transform our voices, straight line of sound from us to shore's followed by echo's slithering around the lake's perimeter. TWhen I said, “Jifty-five global services,” California Bell ...
... sounds surprise us, echoes of shouts we make transform our voices, straight line of sound from us to shore's followed by echo's slithering around the lake's perimeter. TWhen I said, “Jifty-five global services,” California Bell ...
Seite 6
... sound the same. I visited Hamada. Getting up from the wheel, he said, “I'm not interested in results; just going on. Art's in process of coming into its own: life. The lake is undefined. The land around rests upon it obscuring its shape ...
... sound the same. I visited Hamada. Getting up from the wheel, he said, “I'm not interested in results; just going on. Art's in process of coming into its own: life. The lake is undefined. The land around rests upon it obscuring its shape ...
Seite 20
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Inhalt
3 | |
DIARY EMMA LAKE MUSIC WORKSHOP 1965 | 21 |
SERIOUSLY COMMA | 26 |
HAPPY NEW EARS | 30 |
TWO STATEMENTS ON IVES | 36 |
MOSAIC | 43 |
DIARY AUDIENCE 1966 | 50 |
DIARY HOW TO IMPROVE THE WORLD YOU WILL ONLY MAKE MATTERS WORSE CONTINUED 1966 | 52 |
NAM JUNE PAIK A DIARY | 89 |
WHERE DO WE GO FROM HERE? | 91 |
JUILLIARD LECTURE | 95 |
LECTURE ON COMMITMENT | 112 |
RHYTHM ETC | 120 |
HOW TO PASS KICK FALL AND RUN | 133 |
TALK I | 141 |
DIARY HOW TO IMPROVE THE WORLD YOU WILL ONLY MAKE MATTERS WORSE CONTINUED 1967 | 145 |
26 STATEMENTS RE DUCHAMP | 70 |
JASPER JOHNS STORIES AND IDEAS | 73 |
MIRO IN THE THIRD PERSON 8 STATEMENTS | 85 |
AFTERWORD | 163 |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Arnold Schoenberg arranged artists asked audience become Buckminster Fuller called Center chance operations changing chess Christian Wolff composer conversation dance David Tudor Dick Higgins Duchamp ears earth electronic electronic music everything experience gave give global services going Gordon Mumma happened hear heard Ichiyanagi idea Indians instance interest Japan Jasper Johns lady lecture letter listen living longer looking Marcel Duchamp Marshall McLuhan McLuhan means Merce Cunningham mind Miró Morton Feldman mother move mushrooms musician Nam June Paik never noticed object once one's Paik painting performance piano piece play question rhythm Schoenberg silence ſº sºme someone sounds space speak stories structure studying Suzuki talk telephone tell theatre there's there’s things thought told Toshi Ichiyanagi walking waſ Webern What's words write written wrote York