A Year from Monday: New Lectures and WritingsWesleyan University Press, 01.01.2012 - 179 Seiten Includes lectures, essays, diaries and other writings, including "How to Improve the World (You Will Only Make Matters Worse)" and "Juilliard Lecture." |
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Seite ix
... means that the disciplines, gradual and sudden (principally Oriental), formerly practiced by individuals to pacify their minds, bringing them into accord with ultimate reality, must now be practiced socially—that is, not just inside our ...
... means that the disciplines, gradual and sudden (principally Oriental), formerly practiced by individuals to pacify their minds, bringing them into accord with ultimate reality, must now be practiced socially—that is, not just inside our ...
Seite 7
... means. Bashô: Matsutake ya shiranu ko no ha no hebaritsuku. The leaf of some unknown tree sticking on the mushroom (Blythe). Mushroom does not know that leaf is sticking on it (Takemitsu). Project: Discover way to translate Far Eastern ...
... means. Bashô: Matsutake ya shiranu ko no ha no hebaritsuku. The leaf of some unknown tree sticking on the mushroom (Blythe). Mushroom does not know that leaf is sticking on it (Takemitsu). Project: Discover way to translate Far Eastern ...
Seite 9
... MEANS, PSYCHIC, SOMATIC, OR MEANS INVOLVING EXTENSIONS OF EITHER. People still ask for definitions, but it's quite clear now that nothing can be defined. Let alone art, its purpose etc. We're not even sure of carrots (whether they're ...
... MEANS, PSYCHIC, SOMATIC, OR MEANS INVOLVING EXTENSIONS OF EITHER. People still ask for definitions, but it's quite clear now that nothing can be defined. Let alone art, its purpose etc. We're not even sure of carrots (whether they're ...
Seite 12
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Inhalt
3 | |
DIARY EMMA LAKE MUSIC WORKSHOP 1965 | 21 |
SERIOUSLY COMMA | 26 |
HAPPY NEW EARS | 30 |
TWO STATEMENTS ON IVES | 36 |
MOSAIC | 43 |
DIARY AUDIENCE 1966 | 50 |
DIARY HOW TO IMPROVE THE WORLD YOU WILL ONLY MAKE MATTERS WORSE CONTINUED 1966 | 52 |
NAM JUNE PAIK A DIARY | 89 |
WHERE DO WE GO FROM HERE? | 91 |
JUILLIARD LECTURE | 95 |
LECTURE ON COMMITMENT | 112 |
RHYTHM ETC | 120 |
HOW TO PASS KICK FALL AND RUN | 133 |
TALK I | 141 |
DIARY HOW TO IMPROVE THE WORLD YOU WILL ONLY MAKE MATTERS WORSE CONTINUED 1967 | 145 |
26 STATEMENTS RE DUCHAMP | 70 |
JASPER JOHNS STORIES AND IDEAS | 73 |
MIRO IN THE THIRD PERSON 8 STATEMENTS | 85 |
AFTERWORD | 163 |
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Arnold Schoenberg arranged artists asked audience become Buckminster Fuller called Center chance operations changing chess Christian Wolff composer conversation dance David Tudor Dick Higgins Duchamp ears earth electronic electronic music everything experience gave give global services going Gordon Mumma happened hear heard Ichiyanagi idea Indians instance interest Japan Jasper Johns lady lecture letter listen living longer looking Marcel Duchamp Marshall McLuhan McLuhan means Merce Cunningham mind Miró Morton Feldman mother move mushrooms musician Nam June Paik never noticed object once one's Paik painting performance piano piece play question rhythm Schoenberg silence ſº sºme someone sounds space speak stories structure studying Suzuki talk telephone tell theatre there's there’s things thought told Toshi Ichiyanagi walking waſ Webern What's words write written wrote York