the stage, and encourages her brother in the parricide. What horror does this not raise! Clytemnestra was a wicked woman, and had deserved to die; nay; in the truth of the story, she was killed by her own son; but to represent an action of this kind on the stage is certainly an offence against those rules of manners, proper to the persons, that ought to be observed there. On the contrary, let us only look a little on the conduct of Shakspeare. Hamlet is represented with the same piety towards his father, and resolution to revenge his death, as Orestes; he has the same abhorrence for his mother's guilt, which, to provoke him the more, is heightened by incest: but it is with wonderful art and justness of judgment, that the poet restrains him from doing violence to his mother. To prevent any thing of that kind, he makes his father's Ghost forbid that part of his vengeance: This is to distinguish rightly between horror and terror. The latter is a proper passion of tragedy, but the former ought always to be carefully avoided. And certainly no dramatic writer ever succeeded better in raising terror in the minds of an audience than Shakspeare has done. The whole tragedy of Macbeth, but more especially the scene where the king is murdered, in the second act, as well as this play, is a noble proof of that manly spirit with which he writ; and both shew how powerful he was, in giving the strongest motions to our souls that they are capable of. I cannot leave Hamlet, without taking notice of the advantage with which we have seen this master-piece of Shakspeare distinguish itself upon the stage, by Mr. Betterton's fine performance of that part. A man, who, though he had no other good qualities, as he has a great many, must have made his way into the esteem of all men of letters by this only excellency. No man is better acquainted with Shakspeare's manner of expression, and indeed he has studied him so well, and is so much a master of him, that whatever part of his he performs, he does it as if it had been written on purpose for him, and that the author had exactly conceived it as he plays it. I must own a particular obligation to him for the most considerable part of the passages relating to this life, which have here transmitted the public; his veneration for the memory of Shakspeare having engaged him to make a journey into Warwickshire, on purpose to gather up what remains he could of a name for which he had so great a veneration, With that, which, but by being so retired, As my trust was; which had, indeed, no limit, A confidence sans bound. He being thus lorded, Not only with what my revenue yielded, Mira. Your tale, sir, would cure deafness. Pro. To have no screen between this part he play'd And him he play'd it for, he needs will be Absolute Milan: Me, poor man!-my library Was dukedom large enough; of temporal royalties He thinks me now incapable: confederates To give him annual tribute, do him homage; Mira. If this might be a brother. Mira. Pro. Alack, for pity! I, not rememb❜ring how I cried out then, So dear the love my people bore me) nor set Was I then to you! Under my burden groan'd; which rais'd in me How came we ashore? Pro. By Providence divine. Out of his charity, (who being then appointed Pro. Now I arise:Sit still, and hear the last of our sea-sorrow. Here in this island we arriv'd; and here Have I, thy schoolmaster, made thee more profit Than other princes can, that have more time For vainer hours, and tutors not so careful. Mira. Heavens thank you for't! And now, (For still 'tis beating in my mind,) your reason choose. Thou art inclin'd to sleep; 'tis a good dulness, Ari. All hail, great master! grave sir, hail! To answer thy best pleasure; be't to fly, Suggestion. S Sprinkled. ¶ Stubborn resolution. Pro. Hast thou, spirit, I boarded the king's ship; now on the beak, Of sulphurous roaring,the most mighty Neptune Ari. Not a soul And all the devils are here. I have left asleep: and for the rest o' the fleet, Ari. Past the mid season. Pro. At least two glasses: The time 'twixt six and now, Pro. Thou dost; and think'st No. It much, to tread the ooze of the salt deep; Must by us both be spent most preciously. Ari. Is there more toil? Since thou dost give me pains, I do not, sir. Pro. Thou liest, malignant thing! Hast thou forgot [envy, The foul witch Sycorax, who, with age and Was grown into a hoop? Hast thou forgot her? Ari. No, sir. [speak; tell me. Thou hast: where was she born? Ari. Sir, in Argier | Pro. Pro. O, was she so? I must, Once in a month, recount what thou hast been, Which thou forget'st. This damn'd witch, Sycorax, For mischiefs manifold, and sorceries terrible did, They would not take her life: Is not this true? Pro. This blue-eyed hag was hither brought As fast as mill-wheels strike: Then was this Ari. Yes; Caliban her son. Pro. Dull thing, I say so; he, that Caliban, Of ever-angry bears: it was a torment The minutest article. t Bustle, tumult. Bermudas. § Wave. Algiers. ¶ Commands. Ari. I thank thee, master. | And show'd thee all the qualities o' the isle, The fresh springs, brine pits, barren place, and fertile; Pro. If thou more murmur'st, I will rend And peg thee in his knotty entrails, till Pro. Do so; and after two days I will discharge thee. the sea; Be subject to no sight but mine; invisible Pro. Shake it off: Come on; We'll visit Caliban, my slave, who never Yields us kind answer. Mira. I do not love to look on. Pro. 'Tis a villain, sir, But, as 'tis, We cannot miss him: he does make our fire, Fetch in our wood; and serves in offices That profit us. What, ho! slave! Caliban! Thou earth, thou! speak. Cal. [within.] There's wood enough within. Pro. Come forth, I say; there's other business for thee: Come forth, thon tortoise! when? Re-enter ARIEL, like a water-nymph. Ari. My lord, it shall be done. [Erit. Pro. Thou poisonous slave, got by the devil Upon thy wicked dam, come forth! [himself Enter CALIBAN. Cal. As wicked dew as e'er my mother brush'd With raven's feather from unwholesome fen, Drop on you both! a south-west blow on ye, And blister you all o'er! Pro. For this, be sure, to-night thou shalt have cramps, [urchins + Side-stitches that shall pen thy breath up; Shall, for that vast of night that they may work, All exercise on thee: thou shalt be pinch'd As thick as honey-combs, each pinch more stinging Than bees that made them. cam❜st first, Cal. I must eat my dinner. This island's mine, by Sycorax my mother, Which thou tak'st from me. When thou [would'st give me Thou strok'dst me, and mad'st much of me; Water with berries in't; and teach me how To name the bigger light, and how the less, That burn by day and night: and then I lov'd thee, Cursed be I that did so!-All the charms In this hard rock, whiles you do keep from me Cal. O ho, O ho!-would it had been done! One thing or other: when thou didst not,savage, Know thine own meaning, but would'st gabble like vile race, A thing most brutish, I endow'd thy purposes Cal. You taught me language; and my pro fit on't [you, Is, I know how to curse: the red plague rid For learning me your language! Pro. Hag-seed, hence! To answer other business. Shrug'st thou, Fetch us in fuel; and be quick, thou wert best, malice? If thou neglect'st, or dost unwillingly What I command, I'll rack thee with old cramps; Cal. Fill all thy bones with aches; make thee roar, So, slave, hence! [Exit CAL. Re-enter ARIEL invisible, playing & singing; FERDINAND following him. Bur. Bowgh, wowgh. Hark, hark! I hear The strain of strutting chanticlere Cry, Cock-a-doodle-doo. [dispersedly. And, that he does, I weep: myself am Naples; Fer. Where should this music be? i' the air, or the earth? It sounds no more and sure, it waits upon Some god o' the island. Sitting on a bank, Weeping again the king my father's wreck, This music crept by me upon the waters; Allaying both their fury and my passion, With its sweet air: thence I have follow'd it, Or it hath drawn me rather:-But 'tis gone, No, it begins again. ARIEL sings. Full fathom five thy father lies; This is no mortal business, nor no sound [me. As we have,such: This gallant which thou seest, Pro. As my It goes on, [Aside. soul prompts it:-Spirit, fine spirit! I'll free thee Pro.. If now 'twere fit to do't:-At the first sight [Aside. They have chang'd eyes:- Delicate Ariel, I'll set thee free for this!-A word, good sir; I fear, you have done yourself some wrong: a word. [This Mira. Why speaks my father so upgently? Is the third man that e'er I saw; the first That e'er I sigh'd for: pity move my father To be inclin'd my way! Fer. O, if a virgin, And your affection not gone forth, I'll make you The queen of Naples. Pro. swift business Soft, sir; one word more.They are both in either's powers: but this [Aside. I must uneasy make, lest too light winning Make the prize light.-One word more! E charge thee, That thou attend me: thou dost here usurp Fer. Pro. If the ill spirit have so fair an house, Mira. Pro. What, I say, My foot my tutor!-Put thy sword up, traitor; Who mak'st a show, but dar'st not strike, thy conscience [wards; Is so possess'd with guilt: come from thy For I can here disarm thee with this stick, And make thy weapon drop. Mira. Beseech you, father! Pro. Hence; hang not on my garments. Mira. Sir, have pity; $ I'll be his surety. Pro. Silence: one word more Shall make me chide thee, if not hate thee. An advocate for an impostor? hush! [What! Thou think'st there are no more such shapes as he, [wench! Having seen but him and Caliban: Foolish .. Guard. + Frightful. |