The Oxford Book of American EssaysOxford University Press, 1914 - 508 Seiten |
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Seite x
... wood fire and that often vanishes with the curling blue smoke . It is the bounden duty of every maker of an anthology to set forth the principles that have guided him in the choice of the examples he is proffering to the public . The ...
... wood fire and that often vanishes with the curling blue smoke . It is the bounden duty of every maker of an anthology to set forth the principles that have guided him in the choice of the examples he is proffering to the public . The ...
Seite 18
... woods echo to her cries - my wife in a fainting - fit - and I in great misery ; secretly and most devoutly wishing cousin Snip at the devil . Matters begin to mend my wife recovers - Miss Jenny has only re- ceived a slight scratch on ...
... woods echo to her cries - my wife in a fainting - fit - and I in great misery ; secretly and most devoutly wishing cousin Snip at the devil . Matters begin to mend my wife recovers - Miss Jenny has only re- ceived a slight scratch on ...
Seite 48
... wood , and their passing hues , when each seems a living thing full of sensations , and happy in its rich attire ? A sound , too , of universal harmony is in our ears , and a wide - spread beauty before our eyes , which we cannot de ...
... wood , and their passing hues , when each seems a living thing full of sensations , and happy in its rich attire ? A sound , too , of universal harmony is in our ears , and a wide - spread beauty before our eyes , which we cannot de ...
Seite 71
... wood , to coal , to loadstone , to iodine , to corn and cotton ; but how few materials are yet used by our arts ! The mass of creatures and of qualities are still hid and expectant . It would seem as if each waited , like the enchanted ...
... wood , to coal , to loadstone , to iodine , to corn and cotton ; but how few materials are yet used by our arts ! The mass of creatures and of qualities are still hid and expectant . It would seem as if each waited , like the enchanted ...
Seite 88
... wood paths and fills the highway from stone wall to stone wall . In the spring and sum- mer time all somber thoughts should follow the winter northward with the somber and thoughtful crows . The old paradisiacal economy of life is again ...
... wood paths and fills the highway from stone wall to stone wall . In the spring and sum- mer time all somber thoughts should follow the winter northward with the somber and thoughtful crows . The old paradisiacal economy of life is again ...
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Häufige Begriffe und Wortgruppen
American artist beauty bees Cape Cod century character charm civilization colonial spirit comb honey Comédie Française Dante delight door dreams effect England English essay Europe fact fancy feel foreign FRANKLIN French friends genius George William Curtis give GOUT habit hand heroes honey Horace human imagination individual intellectual John Bull Kean kind Lapierre House less literary literature live look Massachusetts mediæval ment mind Molière moral nation nature never Nevermore night once Paris pass passion perhaps persons play poem poet poetic politics present race rendering rich Sarah Bernhardt Sarcey seems sense Sicily society soul speak stanza struggle sure Théâtre Français Theocritus things thought tion tone tree true turn universal suffrage W. D. Howells walk whole wild woods word writing young
Beliebte Passagen
Seite 112 - Get thee back into the tempest and the night's Plutonian shore ! Leave no black plume as a token of that lie thy soul hath spoken ! — Leave my loneliness unbroken ! — quit the bust above my door ! Take thy beak from out my heart, and take thy form from off my door...
Seite 141 - He touched the tender stops of various quills, With eager thought warbling his Doric lay: And now the sun had stretched out all the hills, And now was dropt into the western bay. At last he rose, and twitched his mantle blue : To-morrow to fresh woods, and pastures new.
Seite 158 - Knowledge before — a discovery that there are more things in heaven and earth than are dreamed of in our philosophy.
Seite 128 - I WISH to speak a word for Nature, for absolute freedom and wildness, as contrasted with a freedom and culture merely civil, — to regard man as an inhabitant, or a part and parcel of Nature, rather than a member of society.
Seite 34 - I know that all beneath the moon decays. And what by mortals in this world is brought, In time's great period shall return to nought. l know that all the muse's heavenly lays, With toil of sprite which are so dearly bought, As idle sounds, of few or none are sought, That there is nothing lighter than mere praise.
Seite 21 - AN old song made by an aged old pate, Of an old worshipful gentleman, who had a great estate, That kept a brave old house at a bountiful rate, And an old porter to relieve the poor at his gate ; Like an old courtier of the queen's, And the queen's old courtier.
Seite 1 - We had been shown numberless skeletons of a kind of little fly, called an ephemera, whose successive generations, we were told, were bred and expired within the day. I happened to see a living company of them on a leaf, who appeared to be engaged in conversation.
Seite 205 - The poets of the kosmos advance through all interpositions and coverings and turmoils and stratagems to first principles. They are of use — they dissolve poverty from its need, and riches from its conceit. You large proprietor, they say, shall not realize or perceive more than any one else. The owner of the library is not he who holds a legal title to it, having bought and paid for it. Any one and every one is owner of the library...
Seite 100 - I prefer commencing with the consideration of an effect. Keeping originality always in view — for he is false to himself who ventures to dispense with so obvious and so easily attainable a source of interest — I say to myself, in the first place, "Of the innumerable effects, or impressions, of which the heart, the intellect or (more generally) the soul is susceptible, what one shall I, on the present occasion, choose?
Seite 103 - Now the object, Truth, or the satisfaction of the intellect, and the object Passion, or the excitement of the heart, are, although attainable, to a certain extent, in poetry, far more readily attainable in prose. Truth, in fact, demands a precision, and Passion a homeliness (the truly passionate will comprehend me), which are absolutely antagonistic to that Beauty which, I maintain, is the excitement, or pleasurable elevation, of the soul.