Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 Seiten |
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Seite 68
... subject matter of the paintings ; the elegant bourgeoisie depicted by Seurat as they enjoyed their Sunday picnic on the ... Subjects were asked to rate the ' ways to live ' and the paintings on scales such as smooth / rough , vibrant ...
... subject matter of the paintings ; the elegant bourgeoisie depicted by Seurat as they enjoyed their Sunday picnic on the ... Subjects were asked to rate the ' ways to live ' and the paintings on scales such as smooth / rough , vibrant ...
Seite 86
... subjects of his tests . The data provided by the art historian only represents , in most cases , his own , personal convictions . The data compiled by experimenters are coded in a way that makes them quantifiable . Data originated in ...
... subjects of his tests . The data provided by the art historian only represents , in most cases , his own , personal convictions . The data compiled by experimenters are coded in a way that makes them quantifiable . Data originated in ...
Seite 117
... subjects could assess the façades only as being horizontal , or vertical , or something in between . The format of the experiment would not allow subjects to consider other buildings or other meanings . This would be an example of a ...
... subjects could assess the façades only as being horizontal , or vertical , or something in between . The format of the experiment would not allow subjects to consider other buildings or other meanings . This would be an example of a ...
Inhalt
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Urheberrecht | |
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1960 canonical interpretation architects architectural criticism architectural history architecture and art art or architecture artistic Banham Barcelona Pavilion Baroque become Broadbent building types century chapter Chemnitz Classical communication considered construction contemporary context Corbusier corner CPS building cultural discussed emitter environment example Exhibition experiment Expressionism expressive systems façade fact Frank Lloyd Wright functional German Pavilion Giedion Glaeser Gothic Gropius historians historical horizontal I. M. Pei idea intentional indexes International Style Jencks language Larkin Administration building Le Corbusier material Mendelsohn Mies modern architecture Modern Movement Monument ornament painting Peasant Wedding Pevsner photographs pre-canonical responses pseudo-signals published recent reference reinterpretation relationship Rohe Schocken department store Schocken store Scully semantic semiotic Shingle style signals significant social space spatial Stijl structure Stuttgart stylistic Sullivan symbolic system of forms terpretation text analysis tion Tugendhat House typological vernacular vertical Villa Savoye walls Wright writing wrote Zevi