Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 Seiten |
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Seite 159
... style . That was the case , too , with the booklet on modern architecture produced by the Museum of Modern Art in 1942 ( McAndrew and Mock , 1942 ) . Most of the authors I mention in this chapter saw in the German Pavilion an example of ...
... style . That was the case , too , with the booklet on modern architecture produced by the Museum of Modern Art in 1942 ( McAndrew and Mock , 1942 ) . Most of the authors I mention in this chapter saw in the German Pavilion an example of ...
Seite 197
... style's limits , particularly its relationship to Romanesque , were to be re - defined again . The example of Gothic shows that new interpretations are bound to change the boundaries of the style – in our terms , the identification of ...
... style's limits , particularly its relationship to Romanesque , were to be re - defined again . The example of Gothic shows that new interpretations are bound to change the boundaries of the style – in our terms , the identification of ...
Seite 198
... style and the Shingle style of late nineteenth - century domestic American architecture ; although the houses embodying these styles obviously existed independently from their historiography , it was not until Scully's work in the early ...
... style and the Shingle style of late nineteenth - century domestic American architecture ; although the houses embodying these styles obviously existed independently from their historiography , it was not until Scully's work in the early ...
Inhalt
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Urheberrecht | |
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1960 canonical interpretation architects architectural criticism architectural history architecture and art art or architecture artistic Banham Barcelona Pavilion Baroque become Broadbent building types century chapter Chemnitz Classical communication considered construction contemporary context Corbusier corner CPS building cultural discussed emitter environment example Exhibition experiment Expressionism expressive systems façade fact Frank Lloyd Wright functional German Pavilion Giedion Glaeser Gothic Gropius historians historical horizontal I. M. Pei idea intentional indexes International Style Jencks language Larkin Administration building Le Corbusier material Mendelsohn Mies modern architecture Modern Movement Monument ornament painting Peasant Wedding Pevsner photographs pre-canonical responses pseudo-signals published recent reference reinterpretation relationship Rohe Schocken department store Schocken store Scully semantic semiotic Shingle style signals significant social space spatial Stijl structure Stuttgart stylistic Sullivan symbolic system of forms terpretation text analysis tion Tugendhat House typological vernacular vertical Villa Savoye walls Wright writing wrote Zevi