Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 Seiten |
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Seite 178
... statement to the same effect that very year . Blake's personal preferences probably stayed with the Savoye , Robie and Tugendhat houses , rather than with the Pavilion . ' It would be possible to tell the broad history of modern ...
... statement to the same effect that very year . Blake's personal preferences probably stayed with the Savoye , Robie and Tugendhat houses , rather than with the Pavilion . ' It would be possible to tell the broad history of modern ...
Seite 225
... statement and in- terpreters are regarded as constituting an audience . To put it in terms of Gauldie ( 1969 ) : We are entitled . . . to expect of a work of architecture some evidence that the designer has , to use a common phrase ...
... statement and in- terpreters are regarded as constituting an audience . To put it in terms of Gauldie ( 1969 ) : We are entitled . . . to expect of a work of architecture some evidence that the designer has , to use a common phrase ...
Seite 233
... statement has neither extension nor referent , and that it could be defined as lacking in meaning and therefore as a pseudo - statement . But logic and language analysis will never succeed in explaining why people have fought for ...
... statement has neither extension nor referent , and that it could be defined as lacking in meaning and therefore as a pseudo - statement . But logic and language analysis will never succeed in explaining why people have fought for ...
Inhalt
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Urheberrecht | |
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accepted according analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely concerned considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators influence intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object originated painting Pevsner photographs physical position possible presented problem production published recent reference reflected regard relationship represented responses result School seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote