Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 Seiten |
Im Buch
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Seite 47
... result that formalistic imitation and snobbery distorted the fundamental truth and simplicity on which this renascence was based . The ultimate crisis of the ideals of the Modern Movement could have been forecast from its very outset ...
... result that formalistic imitation and snobbery distorted the fundamental truth and simplicity on which this renascence was based . The ultimate crisis of the ideals of the Modern Movement could have been forecast from its very outset ...
Seite 88
... result from the experiment , nor were they derived from art theory ; they were derived from social psychology.1 Efforts have been directed at constructing a language more subtle and malleable than semantic differentials to register ...
... result from the experiment , nor were they derived from art theory ; they were derived from social psychology.1 Efforts have been directed at constructing a language more subtle and malleable than semantic differentials to register ...
Seite 111
... result of a request of the owners ... I believe that the corner is the key to the formal vocabulary of the composition , the hinge that allows for the smooth unfolding of the façade ( Pellegrin , 1956 ) . 76 Schocken department store ...
... result of a request of the owners ... I believe that the corner is the key to the formal vocabulary of the composition , the hinge that allows for the smooth unfolding of the façade ( Pellegrin , 1956 ) . 76 Schocken department store ...
Inhalt
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Urheberrecht | |
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accepted according analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely concerned considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators influence intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object originated painting Pevsner photographs physical position possible presented problem production published recent reference reflected regard relationship represented responses result School seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote