Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 Seiten |
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Seite 153
... relationship . Sometimes , architects influence people's view of their work and thus affect their canonical interpretation , and sometimes they do not . Conversely , people may fire ideas back at the designer and induce him to see his ...
... relationship . Sometimes , architects influence people's view of their work and thus affect their canonical interpretation , and sometimes they do not . Conversely , people may fire ideas back at the designer and induce him to see his ...
Seite 154
... relationship in each case is the task of criticism . Most critics would agree that Mies's occasional aphorisms were more related to his architecture than Le Corbusier's more abundant literature was to his . Turning to the second issue ...
... relationship in each case is the task of criticism . Most critics would agree that Mies's occasional aphorisms were more related to his architecture than Le Corbusier's more abundant literature was to his . Turning to the second issue ...
Seite 161
... relationship between Mies and Neo - plasticism . Certain features of the Pavilion were clearly reminiscent of the work of the Dutch De Stijl group . The arrangement of Tines in the plan of the building was similar to some of the ...
... relationship between Mies and Neo - plasticism . Certain features of the Pavilion were clearly reminiscent of the work of the Dutch De Stijl group . The arrangement of Tines in the plan of the building was similar to some of the ...
Inhalt
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Urheberrecht | |
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accepted according analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely concerned considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators influence intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object originated painting Pevsner photographs physical position possible presented problem production published recent reference reflected regard relationship represented responses result School seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote