Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 Seiten |
Im Buch
Ergebnisse 1-3 von 47
Seite 23
... materials of painting are not paints , those of music are not sounds , those of architecture are not stones , any more than the material of literature is ink . The materials of these arts are not inert matter but the creation of man ...
... materials of painting are not paints , those of music are not sounds , those of architecture are not stones , any more than the material of literature is ink . The materials of these arts are not inert matter but the creation of man ...
Seite 44
... materials and the tasks ' , the ' essential shapes of the objects arising from their work performance ' , the ... material ' . Despite what the designers themselves believed , their shapes could not possibly be determined by pure ...
... materials and the tasks ' , the ' essential shapes of the objects arising from their work performance ' , the ... material ' . Despite what the designers themselves believed , their shapes could not possibly be determined by pure ...
Seite 164
... material . ' Consequently , he gave what seemingly was a purely objective description of the building : - Base and ... material and colour of the walls and partitions of the Pavilion ( rather than , say , the materials of the roof slab ...
... material . ' Consequently , he gave what seemingly was a purely objective description of the building : - Base and ... material and colour of the walls and partitions of the Pavilion ( rather than , say , the materials of the roof slab ...
Inhalt
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Urheberrecht | |
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accepted according analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely concerned considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators influence intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object originated painting Pevsner photographs physical position possible presented problem production published recent reference reflected regard relationship represented responses result School seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote