Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 Seiten |
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Seite 25
... Later still it was declared a national monument and restored to its original condition . Could one speculate , along with Wellek and Warren , that because parts of the physical fabric have been replaced , the villa as it stands is no ...
... Later still it was declared a national monument and restored to its original condition . Could one speculate , along with Wellek and Warren , that because parts of the physical fabric have been replaced , the villa as it stands is no ...
Seite 149
... later lose their novelty . For example , as mentioned previously , a critic of the early 1930s was impressed because Mies dared use marble in his Pavilion – a material which was supposed to be associated with antiquity . As the use of ...
... later lose their novelty . For example , as mentioned previously , a critic of the early 1930s was impressed because Mies dared use marble in his Pavilion – a material which was supposed to be associated with antiquity . As the use of ...
Seite 169
... later be developed to become an apartment of the Unité d'Habitation in Marseilles . In the Paris Exposition , a pavilion dedicated to the decorative arts was simply a facsimile of an apartment - in other words , the pavilion became a ...
... later be developed to become an apartment of the Unité d'Habitation in Marseilles . In the Paris Exposition , a pavilion dedicated to the decorative arts was simply a facsimile of an apartment - in other words , the pavilion became a ...
Inhalt
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Urheberrecht | |
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accepted according analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely concerned considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators influence intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object originated painting Pevsner photographs physical position possible presented problem production published recent reference reflected regard relationship represented responses result School seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote