Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 Seiten |
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Seite 62
... indicated that the space was a parking lot . With their extended use , they became a signal for ' parking lot ' . At ... indicates where to park , but the space does not ' look like a parking lot ' . The exercise might prove to be self ...
... indicated that the space was a parking lot . With their extended use , they became a signal for ' parking lot ' . At ... indicates where to park , but the space does not ' look like a parking lot ' . The exercise might prove to be self ...
Seite 149
... indicating , with characteristic immodesty , that he considered the issue to be irrelevant . Social change may also ... indicated approvingly that the ornament framing the windows of the department store was feminine in character . But ...
... indicating , with characteristic immodesty , that he considered the issue to be irrelevant . Social change may also ... indicated approvingly that the ornament framing the windows of the department store was feminine in character . But ...
Seite 240
... indicated that it was only after Mies arrived in the United States and the American media started divulging his ideas , that Mies received the acknowledgement that had been denied him in his own country . This explanation confirms the ...
... indicated that it was only after Mies arrived in the United States and the American media started divulging his ideas , that Mies received the acknowledgement that had been denied him in his own country . This explanation confirms the ...
Inhalt
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Urheberrecht | |
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accepted according analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely concerned considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators influence intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object originated painting Pevsner photographs physical position possible presented problem production published recent reference reflected regard relationship represented responses result School seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote