Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 Seiten |
Im Buch
Ergebnisse 1-3 von 18
Seite 62
... indicated that the space was a parking lot . With their extended use , they became a signal for ' parking lot ' . At ... indicates where to park , but the space does not ' look like a parking lot ' . The exercise might prove to be self ...
... indicated that the space was a parking lot . With their extended use , they became a signal for ' parking lot ' . At ... indicates where to park , but the space does not ' look like a parking lot ' . The exercise might prove to be self ...
Seite 118
... indicate that those readers operate within the same framework as did Giedion and Pevsner . This would hardly be surprising , bearing in mind that Space , time and architecture was actually ranked first by a representative sample of ...
... indicate that those readers operate within the same framework as did Giedion and Pevsner . This would hardly be surprising , bearing in mind that Space , time and architecture was actually ranked first by a representative sample of ...
Seite 149
... indicating , with characteristic immodesty , that he considered the issue to be irrelevant . Social change may also ... indicated approvingly that the ornament framing the windows of the department store was feminine in character . But ...
... indicating , with characteristic immodesty , that he considered the issue to be irrelevant . Social change may also ... indicated approvingly that the ornament framing the windows of the department store was feminine in character . But ...
Inhalt
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Urheberrecht | |
21 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
1960 canonical interpretation architects architectural criticism architectural history architecture and art art or architecture artistic Banham Barcelona Pavilion Baroque become Broadbent building types century chapter Chemnitz Classical communication considered construction contemporary context Corbusier corner CPS building cultural discussed emitter environment example Exhibition experiment Expressionism expressive systems façade fact Frank Lloyd Wright functional German Pavilion Giedion Glaeser Gothic Gropius historians historical horizontal I. M. Pei idea intentional indexes International Style Jencks language Larkin Administration building Le Corbusier material Mendelsohn Mies modern architecture Modern Movement Monument ornament painting Peasant Wedding Pevsner photographs pre-canonical responses pseudo-signals published recent reference reinterpretation relationship Rohe Schocken department store Schocken store Scully semantic semiotic Shingle style signals significant social space spatial Stijl structure Stuttgart stylistic Sullivan symbolic system of forms terpretation text analysis tion Tugendhat House typological vernacular vertical Villa Savoye walls Wright writing wrote Zevi