Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 Seiten |
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Seite 19
... functional ' ? It was rectilinear and glass curtain - walled and there were no diagonal accents . It looked functional and therefore , as far as Pevsner was concerned , it was functional . - For someone primarily interested in ...
... functional ' ? It was rectilinear and glass curtain - walled and there were no diagonal accents . It looked functional and therefore , as far as Pevsner was concerned , it was functional . - For someone primarily interested in ...
Seite 128
... functional . The potential of a form was in no way seen as being diminished by its having been used in the past - on the contrary , such a past use of the form could enrich its meaning by adding certain connotations . Working with ...
... functional . The potential of a form was in no way seen as being diminished by its having been used in the past - on the contrary , such a past use of the form could enrich its meaning by adding certain connotations . Working with ...
Seite 208
... Functional problems may have been simple or looked trivial ; yet it was a functional consideration , not a spatial one , the one which allowed Glaeser to identify the ' ritual center ' of the building ( 113 , 114 ) . He wrote recently ...
... Functional problems may have been simple or looked trivial ; yet it was a functional consideration , not a spatial one , the one which allowed Glaeser to identify the ' ritual center ' of the building ( 113 , 114 ) . He wrote recently ...
Inhalt
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Urheberrecht | |
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1960 canonical interpretation architects architectural criticism architectural history architecture and art art or architecture artistic Banham Barcelona Pavilion Baroque become Broadbent building types century chapter Chemnitz Classical communication considered construction contemporary context Corbusier corner CPS building cultural discussed emitter environment example Exhibition experiment Expressionism expressive systems façade fact Frank Lloyd Wright functional German Pavilion Giedion Glaeser Gothic Gropius historians historical horizontal I. M. Pei idea intentional indexes International Style Jencks language Larkin Administration building Le Corbusier material Mendelsohn Mies modern architecture Modern Movement Monument ornament painting Peasant Wedding Pevsner photographs pre-canonical responses pseudo-signals published recent reference reinterpretation relationship Rohe Schocken department store Schocken store Scully semantic semiotic Shingle style signals significant social space spatial Stijl structure Stuttgart stylistic Sullivan symbolic system of forms terpretation text analysis tion Tugendhat House typological vernacular vertical Villa Savoye walls Wright writing wrote Zevi