Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 Seiten |
Im Buch
Ergebnisse 1-3 von 11
Seite 126
... direction indicates that typology was not a strong idea in mid - century architectural thinking . 2 For scholars who really believed in the validity of the typological approach , the fact that the buildings reviewed belonged to 126.
... direction indicates that typology was not a strong idea in mid - century architectural thinking . 2 For scholars who really believed in the validity of the typological approach , the fact that the buildings reviewed belonged to 126.
Seite 165
... direction of Mies were consistent with each other or whether they were in conflict . A meaningful way of relating Barcelona to the Bauhaus of the years following 1930 was not to be established until 1970 , when Nicolini published a ...
... direction of Mies were consistent with each other or whether they were in conflict . A meaningful way of relating Barcelona to the Bauhaus of the years following 1930 was not to be established until 1970 , when Nicolini published a ...
Seite 213
... direction . Having discussed the building in terms of traditional categories of criticism such as building type , interior and exterior space , covered and uncovered areas , central core and periphery , Sepliarsky concluded ( 1975 ) ...
... direction . Having discussed the building in terms of traditional categories of criticism such as building type , interior and exterior space , covered and uncovered areas , central core and periphery , Sepliarsky concluded ( 1975 ) ...
Inhalt
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Urheberrecht | |
21 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
1960 canonical interpretation architects architectural criticism architectural history architecture and art art or architecture artistic Banham Barcelona Pavilion Baroque become Broadbent building types century chapter Chemnitz Classical communication considered construction contemporary context Corbusier corner CPS building cultural discussed emitter environment example Exhibition experiment Expressionism expressive systems façade fact Frank Lloyd Wright functional German Pavilion Giedion Glaeser Gothic Gropius historians historical horizontal I. M. Pei idea intentional indexes International Style Jencks language Larkin Administration building Le Corbusier material Mendelsohn Mies modern architecture Modern Movement Monument ornament painting Peasant Wedding Pevsner photographs pre-canonical responses pseudo-signals published recent reference reinterpretation relationship Rohe Schocken department store Schocken store Scully semantic semiotic Shingle style signals significant social space spatial Stijl structure Stuttgart stylistic Sullivan symbolic system of forms terpretation text analysis tion Tugendhat House typological vernacular vertical Villa Savoye walls Wright writing wrote Zevi