Architecture and Its Interpretation: A Study of Expressive Systems in ArchitectureRizzoli, 1979 - 271 Seiten |
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Seite 21
... International Style - contrary to the architecture of the Beaux - Arts and to Expressionism - represented pre ... International Style saw it as reflecting well - defined values , in spite of allegations of value - free design . Malkiel ...
... International Style - contrary to the architecture of the Beaux - Arts and to Expressionism - represented pre ... International Style saw it as reflecting well - defined values , in spite of allegations of value - free design . Malkiel ...
Seite 159
... International Style . But the building has also been approached from other perspec- tives : Zevi ( 1953 ) considered the Pavilion to be the purest manifestation of neoplasticism in architecture , while Wingler ( 1965 ) and Nicolini ...
... International Style . But the building has also been approached from other perspec- tives : Zevi ( 1953 ) considered the Pavilion to be the purest manifestation of neoplasticism in architecture , while Wingler ( 1965 ) and Nicolini ...
Seite 184
... International Style , rather than to one of the variant possibilities of the twenties . To Pevsner , Expressionist was still a dirty word in 1967. In his BBC talk ( cf. chapter 1 ) he said admiringly of the buildings of Sheffield ...
... International Style , rather than to one of the variant possibilities of the twenties . To Pevsner , Expressionist was still a dirty word in 1967. In his BBC talk ( cf. chapter 1 ) he said admiringly of the buildings of Sheffield ...
Inhalt
Foreword by Geoffrey Broadbent | 7 |
Semiotic analysis | 26 |
The contemporary scene | 49 |
Urheberrecht | |
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accepted according analysis appear approach architects architecture artistic attention Barcelona Pavilion Bauhaus became become building called canonical interpretation century certain chapter Chicago Classical communication completely concerned considered consistent construction context continuous Corbusier corner critics cultural detail developed discussed effect elements example Exhibition exist experiment expressive systems façade fact follow forms functional German hand historians historical horizontal House idea important indexes indicators influence intentional interest International Style issue language limited live material matter meaning mentioned merely Mies Mies's modern architecture Modern Movement nature object originated painting Pevsner photographs physical position possible presented problem production published recent reference reflected regard relationship represented responses result School seen selected semiotic signals significant social space structure style suggested symbolic terpretation text analysis tion types University vertical walls Wedding writing wrote