Revenge of the PhilistinesSimon and Schuster, 12.09.2007 - 448 Seiten Internationally renowned critic, Hilton Kramer surveys the contemporary art scene, offering a penetrating account of its turbulent history and an analysis of the work of a variety of modern artists, including Edward Hopper, Louise Nevelson, Chuck Close, and Julian Schnabel. As its success is shown through presence in museums, marketplaces, and the media, modern art has inspired a revolt against its most cherished standards and beliefs. In Revenge of the Philistines, Kramer argues that the new breed of trendy curators, artists, and critics have taken to celebrating the mediocre in art, as opposed to the “the high purposes and moral grandeur” modernist art is supposed to embody. Giving a scathing account of the postmodern era while appraising the achievements of today’s most important artists, this book celebrates those who, in the face of our age’s pressures and ambiguities, offer a promise for the future of high art. |
Inhalt
Art and Culture in the 1980s | 1 |
Revivals and Revisionism | 13 |
The André Meyer Galleries at the Met | 15 |
A Turner for the Eighties | 19 |
The Age of Revolution I | 22 |
The Victorian Paragon | 29 |
The Natural Paradise | 33 |
The Isolation of Thomas Eakins | 36 |
Romare Bearden | 195 |
Helen Frankenthaler in the Fifties | 198 |
Morris Louis | 201 |
Kenneth Noland | 204 |
Renewing Abstraction | 207 |
Agnes Martin | 210 |
Anthony Caro at MoMA | 213 |
Christopher Wilmarth | 216 |
Gorky Revised | 41 |
Rediscovering Stanley Spencer | 47 |
Grant Wood | 51 |
Modernists in Retrospect | 61 |
Late Cézanne | 63 |
The Public and the Private Rodin | 66 |
Picassos Rage | 70 |
The Essential Cubism in London | 76 |
Bonnard | 82 |
De Stijl | 90 |
Vantongerloo | 94 |
Max Ernst | 98 |
Miró and His Critics | 101 |
Sonia Delaunay | 105 |
Giacomettis Moral Heroism | 109 |
Marsden Hartley | 113 |
Florine Stettheimer | 117 |
Elie Nadelman | 120 |
Edward Hopper | 124 |
Morton L Schamberg | 127 |
Precisionism Revised | 132 |
Morris Kantor | 140 |
The Formative Years | 143 |
The Rothko Retrospective | 147 |
The Singularity of Clyfford Still | 151 |
The Anatomy of Pluralism | 155 |
An American Classic | 157 |
Noguchi | 167 |
Encountering Nevelson | 170 |
Jacob Lawrences Chronicles of Black History | 178 |
Odd Man Out | 181 |
Artist of Two Worlds | 184 |
Saul Steinberg | 187 |
The Transformations of Lucas Samaras | 219 |
Richard Diebenkorn | 222 |
Chuck Close | 225 |
Pearlsteins Portraits | 229 |
The Vision of an Expatriate | 232 |
Maurice Sendak | 235 |
David Hockney | 238 |
The Social Realism of Jack Beal | 240 |
Milet Andrejevic | 244 |
Roy Lichtenstein in the Seventies | 247 |
Robert Smithson | 249 |
The Prose and Poetry of Photography | 253 |
Fox Talbot and the Invention of Photography | 255 |
The Stanford Years | 260 |
The Young Steichen | 263 |
Imogen Cunningham and Minor White | 266 |
Trophies from Eden | 269 |
Walker Evans | 272 |
Notes on Irving Penn | 275 |
Avedon | 279 |
The New American Photography | 281 |
Critics and Controversies | 291 |
Tom Wolfe and the Revenge of the Philistines | 293 |
The Apples of Meyer Schapiro | 306 |
The New Scene | 345 |
Neil Jenney | 352 |
The Return of the Realists | 360 |
The New Expressionism | 366 |
Malcolm Morley | 375 |
Julian Schnabel | 381 |
| 427 | |
Andere Ausgaben - Alle anzeigen
The Revenge of the Philistines: Art and Culture, 1972-1984 Hilton Kramer Eingeschränkte Leseprobe - 1985 |
Häufige Begriffe und Wortgruppen
abstract art Abstract Expressionism Abstract Expressionist achievement admire aesthetic Alfred Barr American art architecture Arshile Gorky art criticism art history art museum art scene art world artist avant-garde Bonnard called career catalogue century certainly Cézanne clearly color contemporary art course Cubism culture curator decade devoted drawings Eakins essay essential exhibition experience Expressionism Fairfield Porter feeling figure Gallery Gorky Gorky's Grant Wood ideas images important impulse interest kind landscape late look Matisse matter means ment mind Minimal art Miss mode Modern Art modernist modernist art MoMA Morris Louis movement Museum of Modern never objects oeuvre organized painters painting period photographs Picasso pictorial political Pop art Porter portraits Precisionism Precisionist produced radical realist remains retrospective sculpture seems sense seum sixties social space spirit Steinberg Stijl style taste thing tion tradition ture turn vision Whitney writes York School

