Poets Teaching Poets: Self and the WorldGregory Orr, Ellen Bryant Voigt University of Michigan Press, 1996 - 282 Seiten div Essays on the craft and relevance of poetry by distinguished practitioners and teachers of the art br /div |
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Seite 68
... passionate syntax was important for Jonson because he wanted to move his poetry beyond the private concerns of the Elizabethan love lyric to concentrate on issues of general social con- cern . To be as convincing an authority on public ...
... passionate syntax was important for Jonson because he wanted to move his poetry beyond the private concerns of the Elizabethan love lyric to concentrate on issues of general social con- cern . To be as convincing an authority on public ...
Seite 69
... passion is crucial in qualifying the dichotomy of the final lines . The " worst " are not the only ones capable of passionate intensity after all . But the speaker of the rewrite describes the collapse in so quiet and plodding a ...
... passion is crucial in qualifying the dichotomy of the final lines . The " worst " are not the only ones capable of passionate intensity after all . But the speaker of the rewrite describes the collapse in so quiet and plodding a ...
Seite 70
... passionate conviction , not glibly or half - heartedly , he still won't be convincing unless we trust his judgment . We call a speaker judicious or discriminating if we feel that the opinions he expresses are reached after considering ...
... passionate conviction , not glibly or half - heartedly , he still won't be convincing unless we trust his judgment . We call a speaker judicious or discriminating if we feel that the opinions he expresses are reached after considering ...
Inhalt
Introduction | 1 |
Obstinate Humanity | 23 |
MARIANNE BORUCH | 48 |
Urheberrecht | |
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Poets Teaching Poets: Self and the World Gregory Orr,Ellen Bryant Voigt Eingeschränkte Leseprobe - 1996 |
Häufige Begriffe und Wortgruppen
Archilochus artistic audience beauty become bees beginning body C. K. Williams called create culture dead death discovery dramatic Eliot Ellen Bryant Voigt emotion essay example experience expressive eyes fact feeling figure function girl grass Greek Hass heart hive Homer human idea imagination individual inner Jeffers language Leaves of Grass living logic look Louise Glück lyric mass means Medusa memory metaphor mind move narrative object Orpheus paradigm passionate person Philomela poem poem's poet poet's poetic poetry Pound reader representation rhyme Rilke Robert Hass Romantic Sappho seems sense singing social song sonnet soul speaker speaking stanza Stephen Dobyns Stevens story structure style surprise Sylvia Plath syntax T. S. Eliot Ted Hughes temperament tension things thought tion traditional translations Tranströmer turn University vision voice Warren Wilson College Whitman whole Williams word Wordsworth writing wrote Yeats Yeats's