The Modern Language Review, Band 13John George Robertson, Charles Jasper Sisson Modern Humanities Research Association, 1918 The Modern Language Review (MLR) is an interdisciplinary journal encompassing the following fields: English (including United States and the Commonwealth), French (including Francophone Africa and Canada), Germanic (including Dutch and Scandinavian), Hispanic (including Latin-American, Portuguese, and Catalan), Italian, Slavonic and East European Studies, and General Studies (including linguistics, comparative literature, and critical theory). |
Inhalt
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Häufige Begriffe und Wortgruppen
Absalom and Achitophel allusions alma ANJO Antoine appears authorship ballad bien Cent Nouvelles Nouvelles century Chapman Chapter character Church Claudius clausula criticism cursus d'Islande Dante Dr Greg dramatic Dryden dumb-show edition editor English Epist evidence exemplum fact Flecknoe France French German Ghost gives Grimarest Hamlet hendecasyllable Horatio interest Italian King Konrad von Würzburg la Sale Latin letter lines literary literature Lond Lope Lope de Vega Lover's Complaint MacFlecknoe manuscript Molière Molière's Nève original Paris paroxyton passage pera play Pleitos poem poet poetry present printed probably Professor prose published qu'il Queen Quinze Joyes quod quoted Réconfort reference rhythm Saintré Sale Sale's says scene seems Shakespeare soul story suggested syllable thee thou Tragedy translation trochaic trochee verse Victor Hugo vida volume Walther words writes written ygreja
Beliebte Passagen
Seite 150 - A brother's murder! Pray can I not, Though inclination be as sharp as will: My stronger guilt defeats my strong intent; And, like a man to double business bound, I stand in pause where I shall first begin, And both neglect.
Seite 151 - What's Hecuba to him or he to Hecuba That he should weep for her? What would he do Had he the motive and the cue for passion That I have?
Seite 129 - We do it wrong, being so majestical, To offer it the show of violence ; For it is, as the air, invulnerable, And our vain blows malicious mockery.
Seite 17 - Dost thou come here to whine ? To outface me with leaping in her grave ? Be buried quick with her, and so will I : And, if thou prate of mountains, let them throw Millions of acres on us, till our ground, Singeing his pate against the burning zone, Make Ossa like a wart ! Nay, an thou'lt mouth, I'll rant as well as thou.
Seite 33 - Nay let thy men of wit too be the same, All full of thee, and differing but in name; But let no alien Sedley interpose To lard with wit thy hungry Epsom prose.
Seite 413 - Oh ! love has fetters stronger far ! By bolts of steel are limbs confin'd, But cruel love enchains the mind. No longer then perplex thy breast ; When thoughts torment, the first are best; 'Tis mad to go, 'tis death to stay ; Away to Orra ! haste away !" .
Seite 268 - Ne spareth he most learned wits to rate, Ne spareth he the gentle Poets rime ; But rends without regard of person or of time.
Seite 180 - The lunatic, the lover and the poet Are of imagination all compact: One sees more devils than vast hell can hold, That is, the madman: the lover, all as frantic, Sees Helen's beauty in a brow of Egypt: The poet's eye, in a fine frenzy rolling, Doth glance from heaven to earth, from earth to heaven; And as imagination bodies forth The forms of things unknown, the poet's pen Turns them to shapes and gives to airy nothing A local habitation and a name.
Seite 357 - Dilke upon various subjects; several things dove-tailed in my mind, and at once it struck me what quality went to form a Man of Achievement, especially in Literature, and which Shakespeare possessed so enormously — I mean Negative Capability, that is, when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason.
Seite 358 - Hyperion" — there were too many Miltonic inversions in it; Miltonic verse cannot be written but in an artful or rather artist's humor. I wish to give myself up to other sensations.