Or by the moon lifting her silver rim Closer of lovely eyes to lovely dreams, 120 Of upcast eye, and tender pondering! That smile us on to tell delightful stories. From out the middle air, from flowery And lovely women were as fair and warm, Queen of the wide air; thou most lovely queen prise, Until their tongues were loos'd in poesy. Of all the brightness that mine eyes have Therefore no lover did of anguish die: seen! As thou exceedest all things in thy shine, So every tale, does this sweet tale of thine. O for three words of honey, that I might Tell but one wonder of thy bridal night! 210 Where distant ships do seem to show their keels, Phoebus awhile delay'd his mighty wheels, But the soft numbers, in that moment SLEEP AND POETRY The last poem in the 1817 volume. Charles Cowden Clarke relates that it was in the library of Hunt's cottage, where an extempore bed had been put up for Keats on the sofa, that he composed the framework and many lines of this poem, the last sixty or seventy being an inventory of the art garniture of the room.' It may be assigned to the summer of 1816. As I lay in my bed slepe full unmete CHAUCER. WHAT is more gentle than a wind in summer ? Than wings of swans, than doves, than dimseen eagle ? What is it? And to what shall I compare it ? It has a glory, and nought else can share it: The thought thereof is awful, sweet, and holy, Chasing away all worldliness and folly: Coming sometimes like fearful claps of thunder, Or the low rumblings earth's regions under; And sometimes like a gentle whispering 29 Of all the secrets of some wond'rous thing That breathes about us in the vacant air; So that we look around with prying stare, Perhaps to see shapes of light, aerial limning; What is more soothing than the pretty And catch soft floatings from a faint-heard To woo sweet kisses from averted faces, — Play with their fingers, touch their shoulders white Into a pretty shrinking with a bite And still will dance with ever-varied ease, Tipt round with silver from the sun's bright eyes. Still downward with capacious whirl they glide; And now I see them on a green-hill's side In breezy rest among the nodding stalks. The charioteer with wond'rous gesture talks To the trees and mountains; and there soon appear Shapes of delight, of mystery, and fear, 140 Some ever-fleeting music, on they sweep. Lo! how they murmur, laugh, and smile, and weep: Some with upholden hand and mouth severe; Some with their faces muffled to the ear Between their arms; some, clear in youthful bloom, Go glad and smilingly athwart the gloom; Some looking back, and some with upward gaze; Yes, thousands in a thousand different ways Flit onward -now a lovely wreath of girls Dancing their sleek hair into tangled curls; And now broad wings. Most awfully intent 151 The driver of those steeds is forward bent, And seems to listen: O that I might know All that he writes with such a hurrying glow. 161 |