The Split and the Structure: Twenty-Eight Essays

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University of California Press, 17.10.1996 - 184 Seiten
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Rudolf Arnheim's great forte is his ability to illuminate the perceptual processes that go into the making and reception of artworks—painting, sculpture, architecture, and film. Over the years, his pioneering mode of "reading" art from a unique scientific/philosophic perspective has garnered him an established and devoted audience. That audience will take pleasure in Arnheim's most recent collection of essays, one that covers a range of topics and includes titles such as "Outer Space and Inner Space," "What Is an Aesthetic Fact?," "As I Saw Children's Art," "Two Ways of Being Human," "Consciousness—an Island of Images," and "From Chaos to Wholeness."

The notion of structure is Arnheim's guide in these explorations. Most of the essays examine the nature of structure affirmatively: how it comes about, its incentives and objectives, its celebration of perfection. He is interested in how artists grope for structure to shape powerful, enlightening images, and how a scientist's search for truth is a search for structure.

Writing with enviable clarity, even when deploying complex arguments, Arnheim makes it easy and exciting to follow him as he thinks. America is not abundantly supplied with "public intellectuals" such as Rudolf Arnheim—to have his writings with us is cause for celebration.

"The word 'structure' appears for good reason in the title of this collection. . . . Structure seems to be needed as an arbiter wherever this civilization of ours is split by selfish interests and fighting for either/or decisions. The essays want to speak with the voice of reason, because they want to show how the parts require the whole."
 

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The split and the structure: twenty-eight essays

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In this collection of articles reprinted from a variety of journals, prominent cultural critic Arnheim covers a wide range of topics in pursuit of connections between psychology and art. Included are ... Vollständige Rezension lesen

The split and the structure: twenty-eight essays

Nutzerbericht  - Not Available - Book Verdict

In this collection of articles reprinted from a variety of journals, prominent cultural critic Arnheim covers a wide range of topics in pursuit of connections between psychology and art. Included are ... Vollständige Rezension lesen

Inhalt

Learning by What Is Around
13
The Way of the Crafts
33
Drawings in Design
52
III
65
The Symbolism of Light
78
Gauguins Homage to Honesty
85
A Maverick in Art History
104
Saw Childrens Art
120
A System of Expressive Movement
133
Form as Creation
151
Two Ways of Being Human
165
Acknowledgments
179
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Über den Autor (1996)

Rudolf Arnheim is Professor Emeritus of the Psychology of Art at Harvard University. For many years he was a member of the Psychology Faculty at Sarah Lawrence College, and he spent his last ten academic years at the University of Michigan in Ann Arbor, where he now lives.

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