The Gate of Appreciation: Studies in the Relation of Art to Life

able actual appeal appreciation artist arts of form beauty becomes canvas cerned color and form conscious creates creation criticism decoration delight dium elements embodies emotion ence enjoyment experience expres expression external fact feeling felt Frans Hals fuller Giotto harmony idea ideal imagination impulse individual intellectual interpretation ject knowledge landscape language layman living Lyric poetry Madonnas man's manifestations Masaccio material Matthew Arnold means medium ment Michelangelo Millet mind nature ness object ourselves painter painting Parthenon frieze perceived perience personality Pheidias picture play pleasure poem pression programme music purpose qualities Raphael realize relation Rembrandt render representative art response reveals rhythm Richard Strauss scope sense sensuous shaping significance sion Sistine Chapel skill Sower spirit technical technique thing thought tion Titian tive tree true truth ture understand unity vidual vision wakens Walter Pater Whistler whole