The Yale Literary Magazine, Band 64Herrick & Noyes., 1899 |
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Seite 20
... artist from the mere intense observer like Tolstoi . Life as it comes to us is uneven , exasperating , with many odd ends in search of a connec- tion ; and of such we may have our surfeit outside of books . But within the covers of ...
... artist from the mere intense observer like Tolstoi . Life as it comes to us is uneven , exasperating , with many odd ends in search of a connec- tion ; and of such we may have our surfeit outside of books . But within the covers of ...
Seite 37
... artist would be the uneducated moujik , one who is in no danger of attempting an appeal to feelings beyond the range of understanding of his fellows . And we find Tols- toy even openly condemning general education . He declares modern ...
... artist would be the uneducated moujik , one who is in no danger of attempting an appeal to feelings beyond the range of understanding of his fellows . And we find Tols- toy even openly condemning general education . He declares modern ...
Seite 38
... artist and critic . If art were to be merely the exploitation of the already known , there could be no advance in artistic perception . For art can only effect progress when it brings something new , something that excites the faculties ...
... artist and critic . If art were to be merely the exploitation of the already known , there could be no advance in artistic perception . For art can only effect progress when it brings something new , something that excites the faculties ...
Seite 61
... artistic conceptions as the French with all their enthusiasm for beauty of form and expression ; the other is distinctively of native growth , crude and didactic , but possessing a powerful psychological insight into human character ...
... artistic conceptions as the French with all their enthusiasm for beauty of form and expression ; the other is distinctively of native growth , crude and didactic , but possessing a powerful psychological insight into human character ...
Seite 70
... artistic . Those of the Japanese are artless melodies of Nature that have thrilled the hearts of count- less generations , sweet eternal utterances of " Things never changed since the Time of the Gods : The flowing of water , the Way of ...
... artistic . Those of the Japanese are artless melodies of Nature that have thrilled the hearts of count- less generations , sweet eternal utterances of " Things never changed since the Time of the Gods : The flowing of water , the Way of ...
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Häufige Begriffe und Wortgruppen
artist athletics Aubrey Beardsley beautiful beetle Binks Bracart Chapel Street character charm Colin comedy Comedy of Manners comes CONCERNING THINGS LITERARY criticism crowd dark delight dreams EDITOR'S TABLE EDITORS emotions exquisite eyes face fancy feeling Gascon give hand Haven heart Hulbert Taft human idea IMPERIAL CUBE CUT King Lafcadio Hearn laughed light literature live looked LXIV Madame de Sévigné Marpessa McGowan MEMORABILIA YALENSIA ment mind nature never night NOTABILIA novel Odysseus once Owen Johnson passed Peer Gynt perhaps Pierre play poems poet poetry present Princess RICHARD HOOKER Romanticism Saint seems sentiment shadows silence Single numbers smile song Sophomore societies soul spirit story strange street Students of Yale sure thought tion to-day Tristram of Lyoness true truth turned undergraduate voice wonderful word writing YALE LITERARY MAGAZINE Yale University
Beliebte Passagen
Seite 439 - Into the woods my Master went, Clean forspent, forspent. Into the woods my Master came, Forspent with love and shame. But the olives they were not blind to Him, The little gray leaves were kind to Him: The thorn-tree had a mind to Him When into the woods He came. Out of the woods my Master went, And He was well content. Out of the woods my Master came, Content with death and shame. When Death and Shame would woo Him last, From under the trees they drew Him last: 'Twas on a tree they slew Him —...
Seite 133 - For the Thracian ships and the foreign faces, The tongueless vigil, and all the pain.
Seite 266 - I'd say, your woes were not less keen. Your hopes more vain than those of men; Your pangs or pleasures of fifteen At forty-five played o'er again. I'd say, we suffer and we strive. Not less nor more as men than boys; With grizzled beards at forty-five, As erst at twelve in corduroys.
Seite 266 - At the usual evening hour the chapel bell began to toll, and Thomas Newcome's hands outside the bed feebly beat time. And just as the last bell struck, a peculiar sweet smile shone over his face, and he lifted up his head a little, and quickly said, " Adsum !
Seite 258 - O bruit doux de la pluie Par terre et sur les toits! Pour un cœur qui s'ennuie, O le chant de la pluie!
Seite 203 - The little skylark went up above her, all song, to the smooth southern cloud lying along the blue: from a dewy copse dark over her nodding hat the blackbird fluted, calling to her with thrice mellow note: the kingfisher flashed emerald out of green osiers: a bow-winged heron travelled aloft, seeking solitude: a boat slipped toward her, containing a dreamy youth...
Seite 258 - Quoi! nulle trahison? Ce deuil est sans raison. C'est bien la pire peine De ne savoir pourquoi. Sans amour et sans haine, Mon cœur a tant de peine.
Seite 266 - Come wealth or want, come good or ill, Let young and old accept their part, And bow before the Awful Will, And bear it with an honest heart, Who misses or who wins the prize. — Go, lose or conquer as you can ; But if you fail, or if you rise, Be each, pray God, a gentleman.
Seite 276 - What is so sweet and dear As a prosperous morn in May, The confident prime of the day, And the dauntless youth of the year, When nothing that asks for bliss, Asking aright, is denied, And half of the world a bridegroom is, And half of the world a bride...
Seite 53 - Here lies our good Edmund, whose genius was such, We scarcely can praise it, or blame it too much; Who, born for the universe, narrowed his mind, And to party gave up what was meant for mankind.