Walt Whitman: Selected Poems: (American Poets Project #4)

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Library of America, 27.01.2003 - 221 Seiten
American literature and culture are inconceivable without the towering presence of Walt Whitman. Expansive, ecstatic, original in ways that continue to startle and to elicit new discoveries, Whitman’s poetry is a testament to the surging energies of 19th-century America and a monument to the transforming power of literary genius. His incantatory rhythms, revolutionary sense of Eros, and generous, all-embracing vision invite renewed wonder at each reading. Although he has been a defining influence for many poets—Garcia Lorca, Fernando Pessoa, Robinson Jeffers, and Allen Ginsberg—his style is ultimately inimitable, and his achievement unsurpassed in American poetry.

“One always wants to start out fresh with Whitman,” writes Harold Bloom in his introduction, “and read him as though he never has been read before.” In a selection that ranges from early notebook fragments and the complete “Song of Myself” to the valedictory “Good-bye My Fancy!,” Bloom has chosen 47 works to represent “the principal writer that America—North, Central, or South—has brought to us.”

About the American Poets Project
Elegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today’s most discerning poets and critics.

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Autoren-Profil (2003)

Walt Whitman was born on Long Island and raised in Brooklyn, New York, the son of a carpenter. He left school when he was 11 years old to take a variety of jobs. By the time he was 15, Whitman was living on his own in New York City, working as a printer and writing short pieces for newspapers. He spent a few years teaching, but most of his work was either in journalism or politics. Gradually, Whitman became a regular contributor to a variety of Democratic Party newspapers and reviews, and early in his career established a rather eccentric way of life, spending a great deal of time walking the streets, absorbing life and talking with laborers. Extremely fond of the opera, he used his press pass to spend many evenings in the theater. In 1846, Whitman became editor of the Brooklyn Eagle, a leading Democratic newspaper. Two years later, he was fired for opposing the expansion of slavery into the west. Whitman's career as a poet began in 1885, with the publication of the first edition of his poetry collection, Leaves of Grass. The book was self-published (Whitman probably set some of the type himself), and despite his efforts to publicize it - including writing his own reviews - few people read it. One reader who did appreciate it was essayist Ralph Waldo Emerson, who wrote a letter greeting Whitman at "the beginning of a great career." Whitman's poetry was unlike any verse that had ever been seen. Written without rhyme, in long, loose lines, filled with poetic lists and exclamations taken from Whitman's reading of the Bible, Homer, and Asian poets, these poems were totally unlike conventional poetry. Their subject matter, too, was unusual - the celebration of a free-spirited individualist whose love for all things and people seemed at times disturbingly sensual. In 1860, with the publication of the third edition on Leaves of Grass, Whitman alienated conventional thinkers and writers even more. When he went to Boston to meet Emerson, poet Henry Wadsworth Longfellow, essayist Oliver Wendell Holmes, and poet James Russell Lowell, they all objected to the visit. With the outbreak of the Civil War, Whitman's attentions turned almost exclusively to that conflict. Some of the greatest poetry of his career, including Drum Taps (1865) and his magnificent elegy for President Abraham Lincoln, "When Last in the Dooryard Bloom'd" (1865), was written during this period. In 1862, his brother George was wounded in battle, and Whitman went to Washington to nurse him. He continued as a hospital volunteer throughout the war, nursing other wounded soldiers and acting as a benevolent father-figure and confidant. Parts of his memoir Specimen Days (1882) record this period. After the war, Whitman stayed on in Washington, working as a government clerk and continuing to write. In 1873 he suffered a stroke and retired to Camden, New Jersey, where he lived as an invalid for the rest of his life. Ironically, his reputation began to grow during this period, as the public became more receptive to his poetic and personal eccentricities. Whitman tried to capture the spirit of America in a new poetic form. His poetry is rough, colloquial, sweeping in its vistas - a poetic equivalent of the vast land and its varied peoples. Critic Louis Untermeyer has written, "In spite of Whitman's perplexing mannerisms, the poems justify their boundless contradictions. They shake themselves free from rant and bombastic audacities and rise into the clear air of major poetry. Such poetry is not large but self-assured; it knows, as Whitman asserted, the amplitude of time and laughs at dissolution. It contains continents; it unfolds the new heaven and new earth of the Western world." American poetry has never been the same since Whitman tore it away from its formal and thematic constraints, and he is considered by virtually all critics today to be one of the greatest poets the country has ever produced. Harold Bloom was born on July 11, 1930 in New York City. He earned his Bachelor of Arts from Cornell in 1951 and his Doctorate from Yale in 1955. After graduating from Yale, Bloom remained there as a teacher, and was made Sterling Professor of Humanities in 1983. Bloom's theories have changed the way that critics think of literary tradition and has also focused his attentions on history and the Bible. He has written over twenty books and edited countless others. He is one of the most famous critics in the world and considered an expert in many fields. In 2010 he became a founding patron of Ralston College, a new institution in Savannah, Georgia, that focuses on primary texts. His works include Fallen Angels, Till I End My Song: A Gathering of Last Poems, Anatomy of Influence: Literature as a Way of Life and The Shadow of a Great Rock: A Literary Appreciation of The King James Bible. Harold Bloom passed away on October 14, 2019 in New Haven, at the age of 89.

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