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And nurtured on her ample breast,
How many a goodly prospect lies;
In Nature's wildest grandeur drest,
Enamelled with her loveliest dyes.

Rich prairies, decked with flowers of gold,
Like sun-lit oceans roll afar;

Broad lakes her azure heavens behold,
Reflecting clear each trembling star;
And mighty rivers, mountain-born,

Go sweeping onward, dark and deep, Through forests, where the bounding fawn Beneath their sheltering branches leap.

And cradled 'mid her clustering hills,
Sweet vales in dream-like beauty hide,
Where Love the air with music fills,
And calm Content and Peace abide ;
For Plenty here her fullness pours,
In rich profusion o'er the land;

And sent to seize her generous stores,

There prowls no Tyrant's hireling band.

Great God! we thank Thee for this home-
This bounteous birth-land of the Free;

Where wanderers from afar may come,
And breathe the air of Liberty ;-

Still may her flowers untrampled spring,
Her harvests wave, her cities rise;
And yet till Time shall fold his wing,
Remain earth's loveliest Paradise!

GERMAN LITERATURE.

BY SARAH H. WHITMAN.

It has been said that "it is in the German nature duly to honor every thing produced by other nations." Our countrymen, we fear, are in danger of becoming, like the English, too exclusively national. We could wish that they had a little more of the German cosmopolitanism. Perhaps it is natural that whenever any attempt is made by a portion of the community to lead the public mind to new trains of thought or modes of action, to introduce new theories or point out new fields for exertion or enterprise, that an antagonist party should spring up, whose tendency it is to resist all innovation. Perhaps it is a wise provision of nature that has thus furnished every age with its sentinels and warders, as well as with its bold and adventurous pioneers; and provided they conduct themselves fairly and discreetly in their vocation, we have no desire to see their office an

nulled, or to interrupt them in its rightful exercise. Let the sentinels give challenge to all new claimants, but let them not refuse admittance to any who can furnish a fair passport, or make out a clear title to be received within their guarded citadel.

Since the efforts which have recently been making to introduce the German literature among us, it is not unusual to hear the most unqualified, indiscriminate opposition expressed to the study of a language of unequalled copiousness, flexibility and force, rich in every department of its literature, and entitled, in the opinion of the first European scholars, to an equal estimation with our own noble mother tongue. Yet we are rejoiced to discover, even in the bitterness of its opponents, an indication of the increasing interest with which it is regarded among us; we are in no way disturbed by the fear that its subtleties, refinements and abstractions, should exert an evil influence on our national character, the individuality of which seems in no danger of being neutralized by such antagonist principles, though it may perchance be favorably modified by them. The Germans, it is true, have their faults; but these faults, it has been well said, are as good as virtues to us, since being the exact opposites of our own, they may teach us most important lessons.

The opposers of German literature are fond of preferring the claims of common sense to those of philosophy; of elevating the actual over the ideal. They descant much and rather vaguely against Transcendentalism. They tell us of the folly of believing in innate ideas, and triumphantly quote Locke and his "tabula rasa." They are afraid of all vagueness and my sticism, and tremble like children at the shadowy appearances seen in the twilight. They will have nothing to do with that which they cannot handle. They have faith in nothing which they cannot fully comprehend. They like to see all objects clearly and sharply defined in the broad day-light of the understanding. Yet in the shadowy, twilight regions of the imagination, we may behold much that is then only visible. The near glare of the sun conceals from us those far lights of heaven, that are forever burning in the vaults of space; even as the acute shrill sounds of day prevent us from hearing the deep voices of nature. The Shekinah, which was by day only a cloud of smoke, became by night a pillar of fire.

In

literature, their favorite models are those writers who are most remarkable for clearness, polish, and Precision. They seem to prefer vigorous, rather than Comprehensive thinkers;-writers whose vision is

clear but limited; who deal manfully with facts and events, but care not to penetrate beyond the surface of being, showing us things as they are, without questioning of the how and why. They love to pace steadily and safely along with the "smooth tongued Addison, the stately Johnson, and the sublime Burke," never deviating from the beaten path, and looking upon all who go down in diving-bells, or mount in balloons, as hair-brained tempters of fate.

They fear all new aspects of truth, and gravely tell us, that "it is better with our fallible natures and limited capacities, to rest upon certain ideas and opinions that have been received as plausible, rejecting all speculations upon subjects which can never be decided, nor farther developed, while the soul remains in the thralls of flesh."

Supposing a reflective mind could bring itself to act upon this suggestion, or rather to cease from acting, for ourselves we know of no opinions that have been universally received as "plausible," and did we know any snch, we could not receive them as truths, until they had been submitted to the test of our own reason. Who shall tell us that any man or class of men have monopolized the right of thought? What is truth to another is not truth to

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