Fredrika Bremer's works [tr. by M. Howitt].H. G. Bohn, 1853 |
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Alette arms Assessor Astrid beaming beautiful beloved better Björk blessed breast called Candidate cheerful child cordial countenance dance dark daughters dear delight earth Elise endeavoured Ernst Ernst Frank excellent exclaimed eyes fancy father feel felt flowers Frank Gabriele girl give glance Gunilla Hallingdal hand happy Harald head heard heart heaven Heimdal Henrik husband Jacobi Jeremias journey Judge kissed lady Landed-proprietor laughed Leonore light little Eva little Hulda live looked Louise Louise's marriage monads morning mother Munter never night Nordland Norway Norwegian pain pale peace Petrea pleasure quiet racter replied returned Sara sate Säter seemed Semb silent sisters smiling soon soul STANDARD LIBRARY Stjernhök Stockholm stood Susanna Sweden Swedish tears tempest thank thee things thou thought Vestfjordal Vineland voice whilst whole wife wish words young
Beliebte Passagen
Seite 288 - For, behold, I create new heavens and a new earth: And the former shall not be remembered, nor come into mind. But be ye glad and rejoice for ever in that which I create: For, behold, I create Jerusalem a rejoicing, and her people a joy.
Seite 103 - There sitteth a dove so white and fair, All on the lily- spray, And she listeneth how, to Jesus Christ, The little children pray. Lightly she spreads her friendly wings, And to heaven's gate hath sped, And unto the Father in heaven she bears The prayers which the children said.
Seite 422 - It seemed to her, that life amid these grand natural scenes and simple manners must be beautiful. The relationship between parents and children, between masters and servants, appeared so cordial, so patriarchal. She heard the servants in the house of the clergyman call him and his wife, father and mother; she saw the eldest daughter of the house assist in waiting on the guests, and that so joyously and easily, that one saw that she did it from her heart; saw a frank satisfaction upon all faces, a...
Seite 465 - Then the dancers rise up and dance, and display themselves in expressions of power, in which strength and dexterity seem to divert themselves by playing with indolence and clumsiness, and to overcome them. The same person who just before seemed fettered to the earth, springs aloft, and throws himself around in the air as though he had wings. Then, after many break-neck movements and evolutions, before which the unaccustomed spectator grows dizzy, the dance suddenly assumes again its first quiet,...