The Architecture of Humanism: A Study in the History of TasteP. Smith, 1965 - 197 Seiten |
Im Buch
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Seite 126
... realised in conduct is dissipated with each new experiment ; the pattern that is realised in art endures . Our present experiment in democratic ethics may be the best which the facts of life afford : or it may not be the best , and yet ...
... realised in conduct is dissipated with each new experiment ; the pattern that is realised in art endures . Our present experiment in democratic ethics may be the best which the facts of life afford : or it may not be the best , and yet ...
Seite 152
... realised as a positive force that was natural , necessary , and alive . The Renaissance architects deviated from the canon whenever their instinctive taste prompted them to do so ; they re- turned to the canon whenever they felt that ...
... realised as a positive force that was natural , necessary , and alive . The Renaissance architects deviated from the canon whenever their instinctive taste prompted them to do so ; they re- turned to the canon whenever they felt that ...
Seite 164
... realised that the human body in some way entered into the question of design . But habits of thought were at that time too objective to allow men any clear understanding of a question which is , after all , one of pure psychology . What ...
... realised that the human body in some way entered into the question of design . But habits of thought were at that time too objective to allow men any clear understanding of a question which is , after all , one of pure psychology . What ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
3 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archæology archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms Giuliano da Sangallo give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius