The Architecture of Humanism: A Study in the History of TasteP. Smith, 1965 - 197 Seiten |
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Seite 156
... minds , but to explain the preferences which we ( whose minds are not disembodied ) do actually possess . Our æsthetic taste is partly physical ; and ... mind . EIGHT Humanist Values I Architecture , simply and immediately perceived 156.
... minds , but to explain the preferences which we ( whose minds are not disembodied ) do actually possess . Our æsthetic taste is partly physical ; and ... mind . EIGHT Humanist Values I Architecture , simply and immediately perceived 156.
Seite 163
... mind and the spirit . Yet the link between physical states and states of the mind and the emotions needs no emphasis . Our theory does not say that physical states enter largely into the spectator's conscious- ness ; it says that they ...
... mind and the spirit . Yet the link between physical states and states of the mind and the emotions needs no emphasis . Our theory does not say that physical states enter largely into the spectator's conscious- ness ; it says that they ...
Seite 174
... mind . And the pattern of the mind , no less than the body's humour , may be reflected in the concrete world . Order in architecture means the presence of fixed relations in the position , the character and the magnitude of its parts ...
... mind . And the pattern of the mind , no less than the body's humour , may be reflected in the concrete world . Order in architecture means the presence of fixed relations in the position , the character and the magnitude of its parts ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
3 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archæology archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms Giuliano da Sangallo give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius