The Architecture of Humanism: A Study in the History of TasteP. Smith, 1965 - 197 Seiten |
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Seite 16
... expression of material properties and material laws . Without these , architecture is impossible , its history ... expression of mechani- cal laws , it is legitimate , no less , to see in it an expression of human life . This furnishes a ...
... expression of material properties and material laws . Without these , architecture is impossible , its history ... expression of mechani- cal laws , it is legitimate , no less , to see in it an expression of human life . This furnishes a ...
Seite 30
... expression by external conditions for whose very being that expression is in some cases responsible , and which , but for that expression , would never , perhaps , have been supposed to exist . In the present case , 30.
... expression by external conditions for whose very being that expression is in some cases responsible , and which , but for that expression , would never , perhaps , have been supposed to exist . In the present case , 30.
Seite 50
... expression ' of ' ignorant and monkish barbarians , ' came to ' suggest ' the idealised Goth - firm in his faith and noble in his aspirations'- who inspired the enthusiasm of Coleridge ; and the forms of an architecture which later came ...
... expression ' of ' ignorant and monkish barbarians , ' came to ' suggest ' the idealised Goth - firm in his faith and noble in his aspirations'- who inspired the enthusiasm of Coleridge ; and the forms of an architecture which later came ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms Giuliano da Sangallo give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius well-building