The Architecture of Humanism: A Study in the History of TasteP. Smith, 1965 - 197 Seiten |
Im Buch
Ergebnisse 1-3 von 40
Seite 86
A Study in the History of Taste Geoffrey Scott. Beauty , it will say , is necessary to good architecture , and beauty cannot be the same as good construction . But good construction is necessary as well as beauty . We must admit , it ...
A Study in the History of Taste Geoffrey Scott. Beauty , it will say , is necessary to good architecture , and beauty cannot be the same as good construction . But good construction is necessary as well as beauty . We must admit , it ...
Seite 154
... beauty to the code of the Five Orders - or to any other code - is the most complete example of this ex- cessive intellectual zeal . It is the most self - conscious at- tempt that has been made to realise beauty as a form of intellectual ...
... beauty to the code of the Five Orders - or to any other code - is the most complete example of this ex- cessive intellectual zeal . It is the most self - conscious at- tempt that has been made to realise beauty as a form of intellectual ...
Seite 175
... beauty , may follow in its wake . Yet Coherence in architecture , distinct though it is from beauty , has a function of its own . Humanised mass , space , and line are the basis of beauty , but coherence is the basis of style . Mass ...
... beauty , may follow in its wake . Yet Coherence in architecture , distinct though it is from beauty , has a function of its own . Humanised mass , space , and line are the basis of beauty , but coherence is the basis of style . Mass ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
5 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms Giuliano da Sangallo give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius well-building