The Architecture of Humanism: A Study in the History of TasteP. Smith, 1965 - 197 Seiten |
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Seite 118
... appear to some that my labour is unnecessary and that I am like a man fighting a battle without enemies , such ... appears in this country or in France . The attack varies in severity , and in extent . Either the whole Renaissance style ...
... appear to some that my labour is unnecessary and that I am like a man fighting a battle without enemies , such ... appears in this country or in France . The attack varies in severity , and in extent . Either the whole Renaissance style ...
Seite 159
... appears as common lan- guage testifies - to soar . We identify ourselves , not with its actual downward pressure , but its apparent upward im- pulse . So , too , by the same excellent - because unconscious -testimony of speech , arches ...
... appears as common lan- guage testifies - to soar . We identify ourselves , not with its actual downward pressure , but its apparent upward im- pulse . So , too , by the same excellent - because unconscious -testimony of speech , arches ...
Seite 187
... appear in rather a different light . Perhaps this is already happening . I noticed in the litera- ture that appeared ... appears to me , has been made of the theatricality of baroque . If rather more attention had been paid to Roman ...
... appear in rather a different light . Perhaps this is already happening . I noticed in the litera- ture that appeared ... appears to me , has been made of the theatricality of baroque . If rather more attention had been paid to Roman ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
3 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archæology archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms Giuliano da Sangallo give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius