The Architecture of Humanism: A Study in the History of TasteP. Smith, 1965 - 197 Seiten |
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Seite 41
... Romanticism may be said to consist in a high develop- ment of poetic sensibility towards the remote , as such . It idealises the distant , both of time and place ; it identifies beauty with strangeness . In the curious and the extreme ...
... Romanticism may be said to consist in a high develop- ment of poetic sensibility towards the remote , as such . It idealises the distant , both of time and place ; it identifies beauty with strangeness . In the curious and the extreme ...
Seite 100
... romanticism was , we saw , that it treated architectural form as primarily symbolic . Now there is evidently no reason why an art of form , if it be regarded as significative at all , should have its meaning limited to an aesthetic ...
... romanticism was , we saw , that it treated architectural form as primarily symbolic . Now there is evidently no reason why an art of form , if it be regarded as significative at all , should have its meaning limited to an aesthetic ...
Seite 191
... Romanticism 41 Romanticism in architecture : conditions essential for its success 42 Failure of our ' romantic ' architecture to comply with these conditions 43 43 45 First evidences of the Romantic Movement in architec- ture ...
... Romanticism 41 Romanticism in architecture : conditions essential for its success 42 Failure of our ' romantic ' architecture to comply with these conditions 43 43 45 First evidences of the Romantic Movement in architec- ture ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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academic achieved æsthetic value aissance antique appear archæology archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms Giuliano da Sangallo give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius