The Architecture of Humanism: A Study in the History of TasteP. Smith, 1965 - 197 Seiten |
Im Buch
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Seite 41
... Romantic Movement is less conspicuous in the creation of architec- ture , the fallacies we shall trace to it are still abundantly present in its criticism . Romanticism may be said to consist in a high develop- ment of poetic ...
... Romantic Movement is less conspicuous in the creation of architec- ture , the fallacies we shall trace to it are still abundantly present in its criticism . Romanticism may be said to consist in a high develop- ment of poetic ...
Seite 42
... Romantic Movement of the nineteenth century dealt the final death - blow to the tradition of the Renaissance , yet that tradition , it must not be forgotten , was itself a romantic movement . The cult of mediævalism , stimulated by the ...
... Romantic Movement of the nineteenth century dealt the final death - blow to the tradition of the Renaissance , yet that tradition , it must not be forgotten , was itself a romantic movement . The cult of mediævalism , stimulated by the ...
Seite 191
... Romantic Fallacy The Renaissance too vigorously creative to form an ab- stract critical theory of architecture PAGE 38 40 The Romantic Movement still further delayed the op- portunity of impartial criticism 40 Nature of Romanticism 41 ...
... Romantic Fallacy The Renaissance too vigorously creative to form an ab- stract critical theory of architecture PAGE 38 40 The Romantic Movement still further delayed the op- portunity of impartial criticism 40 Nature of Romanticism 41 ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
3 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archæology archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms Giuliano da Sangallo give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius