The Architecture of Humanism: A Study in the History of TasteP. Smith, 1965 - 197 Seiten |
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A Study in the History of Taste Geoffrey Scott. GEOFFREY SCOTT was born in England in 1885 and edu- cated at Oxford . He became one of the world's great au- thorities on Boswell and Johnson , and in 1927 he came to the United States to ...
A Study in the History of Taste Geoffrey Scott. GEOFFREY SCOTT was born in England in 1885 and edu- cated at Oxford . He became one of the world's great au- thorities on Boswell and Johnson , and in 1927 he came to the United States to ...
Seite 138
A Study in the History of Taste Geoffrey Scott. inheritance , their contemporaries in painting were marking time , and losing themselves in an empty , facile repetition of past phrases . This is true decadence . So little is it true that ...
A Study in the History of Taste Geoffrey Scott. inheritance , their contemporaries in painting were marking time , and losing themselves in an empty , facile repetition of past phrases . This is true decadence . So little is it true that ...
Seite 189
A Study in the History of Taste Geoffrey Scott. creative effort be guided , and the less likely shall we be , at each juncture of hesitation , to be misled by some false theory into accepting a solution on quite irrelevant grounds . If ...
A Study in the History of Taste Geoffrey Scott. creative effort be guided , and the less likely shall we be , at each juncture of hesitation , to be misled by some false theory into accepting a solution on quite irrelevant grounds . If ...
Inhalt
Introduction | 15 |
ONE Renaissance Architecture | 25 |
Two The Romantic Fallacy | 40 |
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Häufige Begriffe und Wortgruppen
academic achieved æsthetic value aissance antique appear archæology archaic stage archi argument artistic baroque architects beauty Bernini Bramante Brunelleschi builders building century chitecture civilisation classic classic architecture coherence confused conscious construction criticism of architecture cult delight distinct dome effect elements Empire style ethical criticism experience expression fact false favour forms Giuliano da Sangallo give Gothic Gothic revival Greek human humanist ideal ideas imagination imitation influence insistent instinct intellectual Italian Italy laws less literary logic mass material means mechanical mediæval ment mind moral Nature ourselves painting Palladio past period physical picturesque pleasure poetic poetry practical prejudice principle proportion qualities quattrocento realised recognise relation Renais Renaissance architecture Renaissance style Roman architecture Romantic Fallacy Romantic Movement Romanticism Rome Ruskin sance satisfy scientific sculpture sense sequence space spirit Stones of Venice structure taste tecture things thought tion tradition true tural ture Vitruvian Vitruvius