The Masters of English LiteratureMacmillan, 1904 - 423 Seiten |
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Seite xii
... CENTURY NOVELISTS 212 CHAPTER XIII THE CLUB . JOHNSON , GOLDSMITH , BURKE , GIBBON , HUME . BURNS 231 CHAPTER XIV 255 CHAPTER XV THE TRANSITION FROM THE EIGHTEENTH CENTURY 271 SCOTT CHAPTER XVI . 288 BYRON THE LAKE SCHOOL CHAPTER XVII ...
... CENTURY NOVELISTS 212 CHAPTER XIII THE CLUB . JOHNSON , GOLDSMITH , BURKE , GIBBON , HUME . BURNS 231 CHAPTER XIV 255 CHAPTER XV THE TRANSITION FROM THE EIGHTEENTH CENTURY 271 SCOTT CHAPTER XVI . 288 BYRON THE LAKE SCHOOL CHAPTER XVII ...
Seite 3
... centuries after the Norman con- quest , English was neither the language of govern- ment nor of learning . The conquerors had indeed adopted the speech of the conquered , modified by the gradual shedding of many inflections , and ...
... centuries after the Norman con- quest , English was neither the language of govern- ment nor of learning . The conquerors had indeed adopted the speech of the conquered , modified by the gradual shedding of many inflections , and ...
Seite 5
... century later than Chaucer , and who wrote for the most part in highly intricate measures of the Romance type . Thus ... centuries the principle that English poetry should follow the French methods , adopt- ing metres which depended on ...
... century later than Chaucer , and who wrote for the most part in highly intricate measures of the Romance type . Thus ... centuries the principle that English poetry should follow the French methods , adopt- ing metres which depended on ...
Seite 6
... century by a counter - reaction , which has in many metres abandoned syllabic measurement entirely , and , retaining rhyme , has reverted to the Anglo- Saxon principle of ordered stresses . But the men who have done this Coleridge ...
... century by a counter - reaction , which has in many metres abandoned syllabic measurement entirely , and , retaining rhyme , has reverted to the Anglo- Saxon principle of ordered stresses . But the men who have done this Coleridge ...
Seite 7
... century version of the poem which we possess is Chaucer's ; but we know that he made one . Now , the Roman de la Rose shows at once the mediaeval cult of love and the reaction from it . Guillaume de Lorris , who began the poem , wrote ...
... century version of the poem which we possess is Chaucer's ; but we know that he made one . Now , the Roman de la Rose shows at once the mediaeval cult of love and the reaction from it . Guillaume de Lorris , who began the poem , wrote ...
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admirable ballad beauty Ben Jonson blank verse Bonny Dundee born Burns Byron Canterbury Tales century character charm Chaucer chronicle plays Coleridge colour comedy contemporary couplet criticism death described Dickens drama Dryden emotion England English literature essays expression eyes Faerie Queene Falstaff fame famous genius heart heaven honour human humour Johnson Keats King lady later less lines literary living London Lord lyric Lyrical Ballads master metre Milton mind narrative nature never night novel o'er Paradise Lost passage passion perhaps persons play poem poet poetry Pope prose published reader rhyme satire Scott sense Shakespeare Shelley song sonnets Spenser spirit stanzas story style Swift tale Tamburlaine tell thee Theseus things thou thought tion tragedy Troilus and Cressida truth uncle Toby verse whole wife woman words Wordsworth writing written wrote young
Beliebte Passagen
Seite 143 - Changed his hand, and check'd his pride. He chose a mournful muse, Soft pity to infuse: He sung Darius great and good! ~By too severe a fate, Fallen! fallen! fallen! fallen! Fallen from his high estate, And weltering in his blood!
Seite 270 - Piping down the valleys wild, Piping songs of pleasant glee, On a cloud I saw a child, And he laughing said to me: "Pipe a song about a Lamb!' So I piped with merry cheer. 'Piper, pipe that song again;
Seite 330 - But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind. With tranquil restoration...
Seite 112 - Thus with the year Seasons return; but not to me returns Day, or the sweet approach of even or morn, Or sight of vernal bloom, or summer's rose, Or flocks, or herds, or human face divine...
Seite 100 - Oft, on a plat of rising ground, I hear the far-off curfew sound, Over some wide-watered shore Swinging slow with sullen roar; Or, if the air will not permit, Some still removed place will fit, Where glowing embers through the room Teach light to counterfeit a gloom, 80 Far from all resort of mirth, Save the cricket on the hearth, Or the bellman's drowsy charm To bless the doors from nightly harm.
Seite 241 - Here Reynolds is laid, and to tell you my mind, He has not left a wiser or better behind : His pencil was striking, resistless, and grand : His manners were gentle, complying, and bland ; Still born to improve us in every part, His pencil our faces, his manners our heart...
Seite 117 - O'er other creatures : yet when I approach Her loveliness, so absolute she seems, And in herself complete, so well to know Her own, that what she wills to do or say Seems wisest, virtuousest, discreetest, best...
Seite 365 - He has outsoared the shadow of our night; Envy and calumny and hate and pain, And that unrest which men miscall delight, Can touch him not and torture not again...
Seite 243 - In all my wanderings round this world of care, In all my griefs, — and God has given my share, — I still had hopes, my latest hours to crown, Amidst these humble bowers to lay me down ; To husband out life's taper at the close, And keep the flame from wasting by repose.
Seite 344 - Lyrical Ballads^; in which it was agreed that my endeavours should be directed to persons and characters supernatural, or at least romantic; yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure for these shadows of imagination that willing suspension of disbelief for the moment, which constitutes poetic faith.