Wordsworthian Errancies: The Poetics of Cultural DismembermentJohns Hopkins University Press, 1994 - 287 Seiten According to David Collings, Wordsworth interpreted the outbreak of war between England and France in 1793 as a cataclysmic event, one whose utterly disfiguring effect he would trace in his work over the next decade. Expanding upon this extravagant interpretation of events, Collings argues, Wordsworth constructed a poetics of cultural dismemberment - a way for culture to imagine that it survives in the midst of its own destruction. In Wordsworthian Errancies, Collings challenges prevailing critical approaches to Romantic poetry by describing and critiquing this deconstructive account of culture in Wordsworth's poetry. Drawing ideas from deconstruction, psychoanalysis, Marxism, feminism, and queer theory, Collings's reading reveals a radically new Wordsworth, one who is far more concerned with various "queer" modes of sexuality than previously suspected. In a provocative reading of The Prelude, for example, Collings argues that Wordsworth associated his poetic power with homoerotic masochistic fantasies and with his involuntary delight in traumatic events. He also redefines the debate concerning the politics of Wordsworth's poetry: disputing recent critics who claim that Wordsworth retreated from history into a poetry of the self, Collings argues instead that the very notion of the solitary, autobiographical subject derived from Wordsworth's sense of cultural trauma. The suspect dimension of Wordsworth's poetry, Collings concludes, is not its retreat from history but rather its claim that history is disaster. |
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Seite 19
... turn or revolving of the world ; even more specifically , however , here he links this " turn of sentiment " with a “ lapse , " a fall , a wrong turn.1 A turn , in fact , not into another region like this one , but into the opposite of ...
... turn or revolving of the world ; even more specifically , however , here he links this " turn of sentiment " with a “ lapse , " a fall , a wrong turn.1 A turn , in fact , not into another region like this one , but into the opposite of ...
Seite 105
... turn his steps / Or wander up and down among the fields " ( Butler 83 ) . As Magnu- son remarks , " to go on an errand with no object is to be errant " ( 108 ) . He has become unseasonable , dislocated in time and space : he looks for ...
... turn his steps / Or wander up and down among the fields " ( Butler 83 ) . As Magnu- son remarks , " to go on an errand with no object is to be errant " ( 108 ) . He has become unseasonable , dislocated in time and space : he looks for ...
Seite 106
... turn him into a human being he must read him in another way . Perhaps he belongs not to the romance of giants but to Rousseau's anthropological narrative , which fits giants into the story of the origins of culture . Thus the movement ...
... turn him into a human being he must read him in another way . Perhaps he belongs not to the romance of giants but to Rousseau's anthropological narrative , which fits giants into the story of the origins of culture . Thus the movement ...
Inhalt
Errancy in the Salisbury Plain Poems | 18 |
Notes | 237 |
Works Cited | 269 |
Urheberrecht | |
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