Wordsworthian Errancies: The Poetics of Cultural DismembermentJohns Hopkins University Press, 1994 - 287 Seiten According to David Collings, Wordsworth interpreted the outbreak of war between England and France in 1793 as a cataclysmic event, one whose utterly disfiguring effect he would trace in his work over the next decade. Expanding upon this extravagant interpretation of events, Collings argues, Wordsworth constructed a poetics of cultural dismemberment - a way for culture to imagine that it survives in the midst of its own destruction. In Wordsworthian Errancies, Collings challenges prevailing critical approaches to Romantic poetry by describing and critiquing this deconstructive account of culture in Wordsworth's poetry. Drawing ideas from deconstruction, psychoanalysis, Marxism, feminism, and queer theory, Collings's reading reveals a radically new Wordsworth, one who is far more concerned with various "queer" modes of sexuality than previously suspected. In a provocative reading of The Prelude, for example, Collings argues that Wordsworth associated his poetic power with homoerotic masochistic fantasies and with his involuntary delight in traumatic events. He also redefines the debate concerning the politics of Wordsworth's poetry: disputing recent critics who claim that Wordsworth retreated from history into a poetry of the self, Collings argues instead that the very notion of the solitary, autobiographical subject derived from Wordsworth's sense of cultural trauma. The suspect dimension of Wordsworth's poetry, Collings concludes, is not its retreat from history but rather its claim that history is disaster. |
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Seite 52
... tale it reads and participates in the self - replication of the tale . Much as Brabantio is a crazed father because the radical playwright Ducis reads him that way , so also Herbert is a fraud because we see him through Rivers's eyes ...
... tale it reads and participates in the self - replication of the tale . Much as Brabantio is a crazed father because the radical playwright Ducis reads him that way , so also Herbert is a fraud because we see him through Rivers's eyes ...
Seite 166
... Tale " in the 1805 Prelude ( 8.222–311 ; De Selincourt 578 ) . According to the tale , a father and son looked together for a lost sheep until at length the son left the father to retrace their steps alone . As a rainstorm began , he ...
... Tale " in the 1805 Prelude ( 8.222–311 ; De Selincourt 578 ) . According to the tale , a father and son looked together for a lost sheep until at length the son left the father to retrace their steps alone . As a rainstorm began , he ...
Seite 179
... tale . Rather than initiating young minds into the so- cial affections , as the prologue claims , it exposes the failure of precisely such an initiating tale ( the one Michael tells Luke ) . Or , more perversely , it initiates the ...
... tale . Rather than initiating young minds into the so- cial affections , as the prologue claims , it exposes the failure of precisely such an initiating tale ( the one Michael tells Luke ) . Or , more perversely , it initiates the ...
Inhalt
Errancy in the Salisbury Plain Poems | 18 |
Notes | 237 |
Works Cited | 269 |
Urheberrecht | |
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