Wordsworthian Errancies: The Poetics of Cultural DismembermentJohns Hopkins University Press, 1994 - 287 Seiten According to David Collings, Wordsworth interpreted the outbreak of war between England and France in 1793 as a cataclysmic event, one whose utterly disfiguring effect he would trace in his work over the next decade. Expanding upon this extravagant interpretation of events, Collings argues, Wordsworth constructed a poetics of cultural dismemberment - a way for culture to imagine that it survives in the midst of its own destruction. In Wordsworthian Errancies, Collings challenges prevailing critical approaches to Romantic poetry by describing and critiquing this deconstructive account of culture in Wordsworth's poetry. Drawing ideas from deconstruction, psychoanalysis, Marxism, feminism, and queer theory, Collings's reading reveals a radically new Wordsworth, one who is far more concerned with various "queer" modes of sexuality than previously suspected. In a provocative reading of The Prelude, for example, Collings argues that Wordsworth associated his poetic power with homoerotic masochistic fantasies and with his involuntary delight in traumatic events. He also redefines the debate concerning the politics of Wordsworth's poetry: disputing recent critics who claim that Wordsworth retreated from history into a poetry of the self, Collings argues instead that the very notion of the solitary, autobiographical subject derived from Wordsworth's sense of cultural trauma. The suspect dimension of Wordsworth's poetry, Collings concludes, is not its retreat from history but rather its claim that history is disaster. |
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Seite 33
... scene of human sacrifice is the literalization of Words- worth's hyperbolic fear that the war would bring about the dismemberment of culture , his linking of war with Warton's barbaric past or Hobbes's state of nature . That scene is ...
... scene of human sacrifice is the literalization of Words- worth's hyperbolic fear that the war would bring about the dismemberment of culture , his linking of war with Warton's barbaric past or Hobbes's state of nature . That scene is ...
Seite 140
... scenes show a face : " At length the dead man ' mid that beauteous scene / Of trees , and hills , and water , bolt upright / Rose with his ghastly face " ( 277-79 ) . Certain associations of this figure are immediately clear . Ronald ...
... scenes show a face : " At length the dead man ' mid that beauteous scene / Of trees , and hills , and water , bolt upright / Rose with his ghastly face " ( 277-79 ) . Certain associations of this figure are immediately clear . Ronald ...
Seite 152
... scene in which he wished for his father's death . By repairing to the scene he repeats the act that apparently killed his father : " Thither I repaired / Up to the highest summit " ( 340-41 ) . How can one recover the father by wishing ...
... scene in which he wished for his father's death . By repairing to the scene he repeats the act that apparently killed his father : " Thither I repaired / Up to the highest summit " ( 340-41 ) . How can one recover the father by wishing ...
Inhalt
Errancy in the Salisbury Plain Poems | 18 |
Notes | 237 |
Works Cited | 269 |
Urheberrecht | |
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