Wordsworthian Errancies: The Poetics of Cultural DismembermentJohns Hopkins University Press, 1994 - 287 Seiten According to David Collings, Wordsworth interpreted the outbreak of war between England and France in 1793 as a cataclysmic event, one whose utterly disfiguring effect he would trace in his work over the next decade. Expanding upon this extravagant interpretation of events, Collings argues, Wordsworth constructed a poetics of cultural dismemberment - a way for culture to imagine that it survives in the midst of its own destruction. In Wordsworthian Errancies, Collings challenges prevailing critical approaches to Romantic poetry by describing and critiquing this deconstructive account of culture in Wordsworth's poetry. Drawing ideas from deconstruction, psychoanalysis, Marxism, feminism, and queer theory, Collings's reading reveals a radically new Wordsworth, one who is far more concerned with various "queer" modes of sexuality than previously suspected. In a provocative reading of The Prelude, for example, Collings argues that Wordsworth associated his poetic power with homoerotic masochistic fantasies and with his involuntary delight in traumatic events. He also redefines the debate concerning the politics of Wordsworth's poetry: disputing recent critics who claim that Wordsworth retreated from history into a poetry of the self, Collings argues instead that the very notion of the solitary, autobiographical subject derived from Wordsworth's sense of cultural trauma. The suspect dimension of Wordsworth's poetry, Collings concludes, is not its retreat from history but rather its claim that history is disaster. |
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Seite 14
... hyperbolic interpretations of culture in order to inter- pret it as the site of conflict among a host of different cultures , languages , discourses , and modes of power . In their view , neither power nor trans- gression is ever ...
... hyperbolic interpretations of culture in order to inter- pret it as the site of conflict among a host of different cultures , languages , discourses , and modes of power . In their view , neither power nor trans- gression is ever ...
Seite 33
... hyperbolic depths are perspectivally indistinguishable from hyperbolic heights , so are wanderings from the true path indistinguishable from true quests . " If hyperbole leads to darkness and the dismemberment of culture , it also ...
... hyperbolic depths are perspectivally indistinguishable from hyperbolic heights , so are wanderings from the true path indistinguishable from true quests . " If hyperbole leads to darkness and the dismemberment of culture , it also ...
Seite 168
... hyperbolic , more like an assertion against doubt than a participation in a confessional practice with chances for sur- vival ( cf. Romance 21-22 , Revisionism 39 ) . Wordsworth allegorizes this strenuous assertiveness in the character ...
... hyperbolic , more like an assertion against doubt than a participation in a confessional practice with chances for sur- vival ( cf. Romance 21-22 , Revisionism 39 ) . Wordsworth allegorizes this strenuous assertiveness in the character ...
Inhalt
Errancy in the Salisbury Plain Poems | 18 |
Notes | 237 |
Works Cited | 269 |
Urheberrecht | |
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