Wordsworthian Errancies: The Poetics of Cultural DismembermentJohns Hopkins University Press, 1994 - 287 Seiten According to David Collings, Wordsworth interpreted the outbreak of war between England and France in 1793 as a cataclysmic event, one whose utterly disfiguring effect he would trace in his work over the next decade. Expanding upon this extravagant interpretation of events, Collings argues, Wordsworth constructed a poetics of cultural dismemberment - a way for culture to imagine that it survives in the midst of its own destruction. In Wordsworthian Errancies, Collings challenges prevailing critical approaches to Romantic poetry by describing and critiquing this deconstructive account of culture in Wordsworth's poetry. Drawing ideas from deconstruction, psychoanalysis, Marxism, feminism, and queer theory, Collings's reading reveals a radically new Wordsworth, one who is far more concerned with various "queer" modes of sexuality than previously suspected. In a provocative reading of The Prelude, for example, Collings argues that Wordsworth associated his poetic power with homoerotic masochistic fantasies and with his involuntary delight in traumatic events. He also redefines the debate concerning the politics of Wordsworth's poetry: disputing recent critics who claim that Wordsworth retreated from history into a poetry of the self, Collings argues instead that the very notion of the solitary, autobiographical subject derived from Wordsworth's sense of cultural trauma. The suspect dimension of Wordsworth's poetry, Collings concludes, is not its retreat from history but rather its claim that history is disaster. |
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Seite 48
... finally appeals to the order of law and judgment in order to escape the indeterminacies of the poem . The married couple living in the inn seems to personify the cultural security that eluded the sailor and his wife ; no wonder they are ...
... finally appeals to the order of law and judgment in order to escape the indeterminacies of the poem . The married couple living in the inn seems to personify the cultural security that eluded the sailor and his wife ; no wonder they are ...
Seite 229
... finally distinguish between the ghost and the body in pain , both of which haunt the ground of an unreadable violence . But this passage overturns the Gothic scenario it so subtly evokes . The dead man does not loiter on the threshold ...
... finally distinguish between the ghost and the body in pain , both of which haunt the ground of an unreadable violence . But this passage overturns the Gothic scenario it so subtly evokes . The dead man does not loiter on the threshold ...
Seite 267
The Poetics of Cultural Dismemberment David Collings. come ashore , will finally find a home . Finally , on the banks of the Wensbeck ( of Sonnet III ) “ is situated our Lady's Chapel , " immortalized by Akenside as the site where in ...
The Poetics of Cultural Dismemberment David Collings. come ashore , will finally find a home . Finally , on the banks of the Wensbeck ( of Sonnet III ) “ is situated our Lady's Chapel , " immortalized by Akenside as the site where in ...
Inhalt
Errancy in the Salisbury Plain Poems | 18 |
Notes | 237 |
Works Cited | 269 |
Urheberrecht | |
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