Wordsworthian Errancies: The Poetics of Cultural DismembermentJohns Hopkins University Press, 1994 - 287 Seiten According to David Collings, Wordsworth interpreted the outbreak of war between England and France in 1793 as a cataclysmic event, one whose utterly disfiguring effect he would trace in his work over the next decade. Expanding upon this extravagant interpretation of events, Collings argues, Wordsworth constructed a poetics of cultural dismemberment - a way for culture to imagine that it survives in the midst of its own destruction. In Wordsworthian Errancies, Collings challenges prevailing critical approaches to Romantic poetry by describing and critiquing this deconstructive account of culture in Wordsworth's poetry. Drawing ideas from deconstruction, psychoanalysis, Marxism, feminism, and queer theory, Collings's reading reveals a radically new Wordsworth, one who is far more concerned with various "queer" modes of sexuality than previously suspected. In a provocative reading of The Prelude, for example, Collings argues that Wordsworth associated his poetic power with homoerotic masochistic fantasies and with his involuntary delight in traumatic events. He also redefines the debate concerning the politics of Wordsworth's poetry: disputing recent critics who claim that Wordsworth retreated from history into a poetry of the self, Collings argues instead that the very notion of the solitary, autobiographical subject derived from Wordsworth's sense of cultural trauma. The suspect dimension of Wordsworth's poetry, Collings concludes, is not its retreat from history but rather its claim that history is disaster. |
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Seite 58
... desire for the object of the other's desire " ( Écrits 19 ) and leads him into an aggressive rivalry with the other for this object , shades into Girard's theory of mimetic desire , whereby " the subject desires the object because the rival ...
... desire for the object of the other's desire " ( Écrits 19 ) and leads him into an aggressive rivalry with the other for this object , shades into Girard's theory of mimetic desire , whereby " the subject desires the object because the rival ...
Seite 59
... desire that it insistently and hatefully proscribes ; it arises from an inten- sively negated sexuality . It polices dangerous desires on behalf of a homo- phobic patriarchal order , which models normative male relations through a ...
... desire that it insistently and hatefully proscribes ; it arises from an inten- sively negated sexuality . It polices dangerous desires on behalf of a homo- phobic patriarchal order , which models normative male relations through a ...
Seite 82
... desires the absence of the object , depicting desire as a kind of bitter satisfaction . For him , the moment desire becomes human it also becomes masochistic because it takes pleasure not despite the mother's absence but because it ...
... desires the absence of the object , depicting desire as a kind of bitter satisfaction . For him , the moment desire becomes human it also becomes masochistic because it takes pleasure not despite the mother's absence but because it ...
Inhalt
Errancy in the Salisbury Plain Poems | 18 |
Notes | 237 |
Works Cited | 269 |
Urheberrecht | |
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