Wordsworthian Errancies: The Poetics of Cultural DismembermentJohns Hopkins University Press, 1994 - 287 Seiten According to David Collings, Wordsworth interpreted the outbreak of war between England and France in 1793 as a cataclysmic event, one whose utterly disfiguring effect he would trace in his work over the next decade. Expanding upon this extravagant interpretation of events, Collings argues, Wordsworth constructed a poetics of cultural dismemberment - a way for culture to imagine that it survives in the midst of its own destruction. In Wordsworthian Errancies, Collings challenges prevailing critical approaches to Romantic poetry by describing and critiquing this deconstructive account of culture in Wordsworth's poetry. Drawing ideas from deconstruction, psychoanalysis, Marxism, feminism, and queer theory, Collings's reading reveals a radically new Wordsworth, one who is far more concerned with various "queer" modes of sexuality than previously suspected. In a provocative reading of The Prelude, for example, Collings argues that Wordsworth associated his poetic power with homoerotic masochistic fantasies and with his involuntary delight in traumatic events. He also redefines the debate concerning the politics of Wordsworth's poetry: disputing recent critics who claim that Wordsworth retreated from history into a poetry of the self, Collings argues instead that the very notion of the solitary, autobiographical subject derived from Wordsworth's sense of cultural trauma. The suspect dimension of Wordsworth's poetry, Collings concludes, is not its retreat from history but rather its claim that history is disaster. |
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Seite 107
... bring an end to his solitary wander- ings , lift the curse of exile pronounced by Mortimer , and in effect bring The Borderers to an end . But the poem turns on the narrative that has apparently motivated it all along . Rather than make ...
... bring an end to his solitary wander- ings , lift the curse of exile pronounced by Mortimer , and in effect bring The Borderers to an end . But the poem turns on the narrative that has apparently motivated it all along . Rather than make ...
Seite 187
... brings destruction in its wake . The Arab's quest is impossible . He will never be able to bury the shell , for he cannot protect the shell from itself . Both / neither figure of the flood and / nor the literal flood , warning and ful ...
... brings destruction in its wake . The Arab's quest is impossible . He will never be able to bury the shell , for he cannot protect the shell from itself . Both / neither figure of the flood and / nor the literal flood , warning and ful ...
Seite 230
... brings the tale of Terror to an end . But this passage is not entirely officializing . Unlike Girardian sacri- fice ... bring the thematics of violence to an end . The consequence is a nonerrant errancy , a deviant pleasure without ...
... brings the tale of Terror to an end . But this passage is not entirely officializing . Unlike Girardian sacri- fice ... bring the thematics of violence to an end . The consequence is a nonerrant errancy , a deviant pleasure without ...
Inhalt
Errancy in the Salisbury Plain Poems | 18 |
Notes | 237 |
Works Cited | 269 |
Urheberrecht | |
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