Drama Trauma: Specters of Race and Sexuality in Performance, Video, and ArtIn this engaging cross-disciplinary study, Timothy Murray examines the artistic struggle over traumatic fantasies of race, gender, sexuality, and power. Establishing a retrospective dialogue between past and present, stage and video, Drama Trauma links the impact of trauma on recent political projects in performance and video with the specters of difference haunting Shakespeare's plays. The book provides close readings of cultural formations as diverse as Shakespearean drama, the Statue of Liberty, contemporary plays by women, African-American performance, and feminist interventions in video, performance and installation. The texts discussed include: * installations by Mary Kelly and Dawn Dedeaux, * plays by Ntozake Shange, Rochelle Owens, Adrienne Kennedy, Marsha Norman and Amiri Baraka * performances by Robbie McCauley, Jordan, Orlan, and Carmelita Tropicana * stage, film and video productions of King Lear, Othello, Romeo and Juliet and All's Well that Ends Well. |
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Inhalt
PSYCHOANALYSIS AND | 31 |
Gallery London | 51 |
OTHELLO AN INDEX AND OBSCURE PROLOGUE | 57 |
PATRIARCHAL PANOPTICISM OR THE ENIGMA OF | 101 |
WRITING AND POSSESSION | 120 |
SCREENING THE CAMERAS EYE | 145 |
TORNADO BREATH | 169 |
Cornell University Ithaca New York | 181 |
CENSORING THE LADIES LIBERTY | 217 |
Cafe | 227 |
Paris October 1978 | 234 |
MARY KELLY | 240 |
Civilization Series | 246 |
International Festival of | 258 |
274 | |
295 | |
harpsichord in Elijah Moshinksys Alls Well That Ends Well | 196 |
Moshinskys Alls Well That Ends Well BBC | 204 |
Andere Ausgaben - Alle anzeigen
Drama Trauma: Specters of Race and Sexuality in Performance, Video and Art Timothy Murray Eingeschränkte Leseprobe - 2013 |
Drama Trauma: Specters of Race and Sexuality in Performance, Video and Art Timothy Murray Eingeschränkte Leseprobe - 2013 |
Häufige Begriffe und Wortgruppen
acknowledgment aesthetic All's already American analysis artistic audience authority Blood body breath calls camera chapter characters Chucky Chucky's continue conventions critical cultural death desire difference discourse discussion display double drama effect example fantasy father fear female feminist Figure force frame function gaze gender ideology Indian installation institutional joke Juliet Kelly King language letters Liberty live look loss male material means memory narrative object Othello performance perspective picture play political position present production provides psychoanalysis reading reference reflection relation remains represent representation response Romeo scene sense sexual Shakespeare signifier similar social space spectators stage stands story strategy structures suggests television theatre theatrical theory thing thought tragedy tragic turn viewers visible vision visual voice woman women writing