The Lamp of Memory: Ruskin, Tradition, and Architecture

aesthetic appear architects architecture argues artist associated beauty become building cathedral century chapter character church claim classicism colour complete considered continued critical culture decoration described detail drawing early edited effect example expression fact fall French Gothic hand Hugo human Ibid ideas illustrations imagination important interest Italy John Ruskin kind language later less letter light living London look meaning Memory mind modern Modernist moral Museum nature never object opening original Oxford painting past period picturesque Plate political present record reference reflected relation Renaissance restoration ruin sculpture seen sense Seven Lamps social society spirit St Mark's Stones of Venice structure style sublime suggests symbol temple things thought tradition true truth values visual volume walls Wordsworth writes wrote