The Lamp of Memory: Ruskin, Tradition, and Architecture

aesthetic architects argues artist associated Bauhaus beauty become building cathedral chapter character Christian church classicism classicists colour contemporary Corbusier critical Crystal Palace culture daguerreotype decoration detail discourse drawing edited Evangelical example expression facade flamboyant France French Gothic Garrigan Gothic architecture Gropius Hugo Hugo's human Ibid idea imagination Italy John Ruskin John Unrau judgement Lamp of Memory Lamps of Architecture language later Le Corbusier light London look meaning Modern Painters volume Modernist moral nature Nikolaus Pevsner nineteenth century Normandy Notre-Dame ornament Oxford Museum painting Peter Fuller Pevsner picturesque Plate political Pugin Quinlan Terry Renaissance restoration Revolution Robert Adam Rouen ruin Ruskinian Ruskinian tradition Scott sculpture sense Seven Lamps shadow significant social spirit St Lô St Mark's Stones of Venice style sublime Swenarton symbol temple tion tracery truth Venetian Victorian Victorian Architecture visual word Wordsworth writes wrote