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OFT round my hall of portraiture I gaze, By Memory reared, the artist wise and holy,

From stainless quarries of deep-buried days.

There, as I muse in soothing melancholy, Your faces glow in more than mortal youth, Companions of my prime, now vanished wholly,

The loud, impetuous boy, the low-voiced maiden,

Now for the first time seen in flawless truth.. Ah, never master that drew mortal breath Can match thy portraits, just and generous Death,

Whose brush with sweet regretful tints is laden!

Thou paintest that which struggled here below

Half understood, or understood for woe,
And with a sweet forewarning

Mak'st round the sacred front an aureole

glow

Woven of that light that rose on Easter morning.

PAOLO TO FRANCESCA

I WAS with thee in Heaven: I cannot tell If years or moments, so the sudden bliss, When first we found, then lost, us in a kiss, Abolished Time, abolished Earth and Hell, Left only Heaven. Then from our blue there fell

The dagger's flash, and did not fall amiss, For nothing now can rob my life of this, That once with thee in Heaven, all else is well.

Us, undivided when man's vengeance came, God's half-forgives that doth not here divide;

And, were this bitter whirl-blast fanged with flame,

To me 't were summer, we being side by side:

This granted, I God's mercy will not blame, For, given thy nearness, nothing is denied.

SONNET

SCOTTISH BORDER

The following letter to Mr. Howells, then editor of The Atlantic Monthly, in which this sonnet was printed, is a little out of proportion as a head-note to a poem of fourteen lines, but it is too characteristic and too indicative of Lowell's extreme solicitude over his verse to be omitted. "There was one verse in the Border sonnet which, when I came to copy it, worried me with its lack of just what I wanted. Only one? you will say. Yes, all;

but never mind

this one most. Instead of

Where the shy ballad could its leaves unfold' read dared its blooms.' I had liefer cup,' but cup is already metaphoric when applied to flowers, and Bottom the Weaver would be sure to ask in one of the many journals he edits How unfold a cup? Does he mean one of those pocket drinking-cups leathern

inconveniences that always stick when you try to unfold 'em?' Damn Bottom! We ought not to think of him, but then the Public is made up of him, and I wish him to know that I was thinking of a flower. Besides, the sonnet is, more than any other kind of verse, a deliberate composition, and susceptible of a high polish," as the dendrologists say of the woods of certain trees. Or shall we say 'grew in secret bold'? I write both on the opposite leaf, that you may choose one to paste over and not get the credit of tinkering my rhymes.

dared its blooms

grew in secret bold.

Perhaps, after all, it is the buzzing of that b in blooms and bold, answering his brother bin ballads that b-witched me, and merely changing 'could' to 'dared' is all that is wanted. The sentiment of this sonnet pleases me."

As sinks the sun behind yon alien hills Whose heather-purpled slopes, in glory

rolled,

Flush all my thought with momentary gold,

What pang of vague regret my fancy

thrills?

Here 't is enchanted ground the peasant tills,

Where the shy ballad dared its blooms unfold,

And memory's glamour makes new sights seem old,

As when our life some vanished dream fulfils.

Yet not to thee belong these painless tears, Land loved ere seen: before my darkened eyes,

From far beyond the waters and the years, Horizons mute that wait their poet rise; The stream before me fades and disappears, And in the Charles the western splendor dies.

SONNET

ON BEING ASKED FOR AN AUTOGRAPH IN VENICE

AMID these fragments of heroic days When thought met deed with mutual passion's leap,

There sits a Fame whose silent trump makes cheap

What short-lived rumor of ourselves we raise.

They had far other estimate of praise Who stamped the signet of their souls so deep

In art and action, and whose memories keep

Their height like stars above our misty

ways:

In this grave presence to record my name Something within me hangs the head and shrinks.

Dull were the soul without some joy in fame;

Yet here to claim remembrance were, methinks,

Like him who, in the desert's awful frame, Notches his cockney initials on the Sphinx.

THE DANCING BEAR

FAR over Elf-land poets stretch their sway, And win their dearest crowns beyond the goal

Of their own conscious purpose; they control

With gossamer threads wide-flown our fancy's play,

And so our action. On my walk to-day, A wallowing bear begged clumsily his toll, When straight a vision rose of Atta Troll, And scenes ideal witched mine eyes away. "Merci, Mossieu!" the astonished bearward cried,

Grateful for thrice his hope to me, the slave

Of partial memory, seeing at his side
A bear immortal. The glad dole I gave
Was none of mine; poor Heine o'er the
wide

Atlantic welter stretched it from his grave.

THE MAPLE

THE Maple puts her corals on in May, While loitering frosts about the lowlands cling,

To be in tune with what the robins sing, Plastering new log-huts 'mid her branches gray;

But when the Autumn southward turns away,

Then in her veins burns most the blood of Spring,

And every leaf, intensely blossoming, Makes the year's sunset pale the set of day.

O Youth unprescient, were it only so With trees you plant, and in whose shade reclined,

Thinking their drifting blooms Fate's coldest snow,

You carve dear names upon the faithful rind,

Nor in that vernal stem the cross foreknow

That Age shall bear, silent, yet unresigned !

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With snow instead of birds, and all things freeze.

How much of all my past is dumb with her,

And of my future, too, for with her went Half of that world I ever cared to please!

DEATH OF QUEEN MERCEDES

In a letter to his daughter from Madrid, July 26, 1878, Lowell wrote of Queen Mercedes: " Anything more tragic than the circumstances of her death it would be hard to imagine. She was actually receiving extreme unction while the guns were firing in honor of her eighteenth birthday, and four days later we saw her dragged to her dreary tomb at the Escorial, followed by the coach and its eight white horses in which she had driven in triumph from the church to the palace on the day of her wedding. The poor brutes tossed their snowy plumes as haughtily now as then. Her death is really a great public loss. She was amiable, intelligent, .and simple-not beautiful but good-looking-and was already becoming popular."

HERS all that Earth could promise or bestow,

Youth, Beauty, Love, a crown, the beckoning years,

Lids never wet, unless with joyous tears,
A life remote from every sordid woe,
And by a nation's swelled to lordlier flow.
What lurking-place, thought we, for doubts
or fears,

When, the day's swan, she swam along the cheers

Of the Alcalá, five happy months ago? The guns were shouting Io Hymen then That, on her birthday, now denounce her

doom;

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Yet was his free of motion as the wind, And held both worlds, of spirit and sense, in fee.

In charmed communion with his dual mind He wandered Spain, himself both knight and hind,

Redressing wrongs he knew must ever be. His humor wise could see life's long deceit,

Man's baffled aims, nor therefore both despise;

His knightly nature could ill fortune greet Like an old friend. Whose ever such kind eyes

That pierced so deep, such scope, save his whose feet

By Avon ceased 'neath the same April's skies?

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Than that what pleased him earliest still should please:

And who hath incomes safe from chance as these,

Gone in a moment, yet for life his own? All other gold is slave of earthward laws; This to the deeps of ether takes its flight, And on the topmost leaves makes glorious pause

Of parting pathos ere it yield to night: So linger, as from me earth's light withdraws,

Dear touch of Nature, tremulously bright!

PESSIMOPTIMISM

YE little think what toil it was to build
A world of men imperfect even as this,
Where we conceive of Good by what we
miss,

Of Ill by that wherewith best days are filled;

A world whose every atom is self-willed, Whose corner-stone is propt on artifice, Whose joy is shorter-lived than woman's kiss,

Whose wisdom hoarded is but to be spilled.

Yet this is better than a life of caves, Whose highest art was scratching on a bone,

Or chipping toilsome arrowheads of flint; Better, though doomed to hear while Cleon

raves,

To see wit's want eterned in paint or stone,

And wade the drain-drenched shoals of daily print.

THE BRAKES

WHAT Countless years and wealth of brain were spent

To bring us hither from our caves and huts,

And trace through pathless wilds the deep

worn ruts

Of faith and habit, by whose deep in

dent

Prudence may guide if genius be not lent,
Genius, not always happy when it shuts
Its ears against the plodder's ifs and
buts,

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