Ribs of rock that seaward jut, Granite shoulders and boulders and snags, Round which, though the winds in heaven be shut,
The nightmared ocean murmurs and yearns, Welters, and swashes, and tosses, and turns, And the dreary black seaweed lolls and
Only rock from shore to shore,
Only a moan through the bleak clefts blown,
With sobs in the rifts where the coarse kelp shifts,
Falling and lifting, tossing and drifting, And under all a deep, dull roar, Dying and swelling, forevermore, Rock and moan and roar alone,
And the dread of some nameless thing unknown,
These make Appledore.
These make Appledore by night:
Then there are monsters left and right; Every rock is a different monster; All you have read of, fancied, dreamed, When you waked at night because you screamed,
There they lie for half a mile, Jumbled together in a pile,
And (though you know they never once stir)
If you look long, they seem to be moving Just as plainly as plain can be, Crushing and crowding, wading and shov- ing
Out into the awful sea,
Where you can hear them snort and spout With pauses between, as if they were listening,
Then tumult anon when the surf breaks glistening
In the blackness where they wallow about.
All this you would scarcely comprehend, Should you see the isle on a sunny day; Then it is simple enough in its way, Two rocky bulges, one at each end, With a smaller bulge and a hollow between; Patches of whortleberry and bay; Accidents of open green,
Sprinkled with loose slabs square and gray, Like graveyards for ages deserted; a few Unsocial thistles; an elder or two,
Foamed over with blossoms white as spray;
And on the whole island never a tree Save a score of sumachs, high as your knee, That crouch in hollows where they may, (The cellars where once stood a village, men say,)
Huddling for warmth, and never grew Tall enough for a peep at the sea; A general dazzle of open blue;
A breeze always blowing and playing rat
With the bow of the ribbon round your hat; A score of sheep that do nothing but stare Up or down at you everywhere; Three or four cattle that chew the cud Lying about in a listless despair;
A medrick that makes you look overhead With short, sharp scream, as he sights his prey,
And, dropping straight and swift as lead, Splits the water with sudden thud; - This is Appledore by day.
A common island, you will say; But stay a moment: only climb Up to the highest rock of the isle, Stand there alone for a little while, And with gentle approaches it grows sub- lime,
Dilating slowly as you win
A sense from the silence to take it in. So wide the loneness, so lucid the air, The granite beneath you so savagely bare, You well might think you were looking down
From some sky-silenced mountain's crown, Whose waist-belt of pines is wont to tear Locks of wool from the topmost cloud. Only be sure you go alone,
For Grandeur is inaccessibly proud, And never yet has backward thrown Her veil to feed the stare of a crowd; To more than one was never shown That awful front, nor is it fit That she, Cothurnus-shod, stand bowed Until the self-approving pit Enjoy the gust of its own wit In babbling plaudits cheaply loud; She hides her mountains and her sea From the harriers of scenery,
Who hunt down sunsets, and huddle and bay,
Mouthing and mumbling the dying day.
Trust me, 't is something to be cast Face to face with one's Self at last,
To be taken out of the fuss and strife, The endless clatter of plate and knife, The bore of books and the bores of the street,
From the singular mess we agree to call Life,
Where that is best which the most fools
And planted firm on one's own two feet So nigh to the great warm heart of God, You almost seem to feel it beat
Down from the sunshine and up from the sod;
To be compelled, as it were, to notice All the beautiful changes and chances Through which the landscape flits and glances,
And to see how the face of common day Is written all over with tender histories, When you study it that intenser way In which a lover looks at his mistress.
Till now you dreamed not what could be done
With a bit of rock and a ray of sun; But look, how fade the lights and shades Of keen bare edge and crevice deep! How doubtfully it fades and fades, And glows again, yon craggy steep, O'er which, through color's dreamiest grades,
The musing sunbeams pause and creep! Now pink it blooms, now glimmers gray, Now shadows to a filmy blue, Tries one, tries all, and will not stay, But flits from opal hue to hue,
And runs through every tenderest range Of change that seems not to be change, So rare the sweep, so nice the art, That lays no stress on any part, But shifts and lingers and persuades; So soft that sun-brush in the west, That asks no costlier pigments' aids, But mingling knobs, flaws, angles, dints, Indifferent of worst or best,
Enchants the cliffs with wraiths and hints And gracious preludings of tints, Where all seems fixed, yet all evades, And indefinably pervades Perpetual movement with perpetual rest!
And like the others does not slip Behind the sea's unsteady brink; Though, if a cloud-shade chance to dip Upon it a moment, 't will suddenly sink, Levelled and lost in the darkened main, Till the sun builds it suddenly up again, As if with a rub of Aladdin's lamp. On the mainland you see a misty camp Of mountains pitched tumultuously: That one looming so long and large Is Saddleback, and that point you see Over yon low and rounded marge, Like the boss of a sleeping giant's targe Laid over his breast, is Ossipee; That shadow there may be Kearsarge; That must be Great Haystack; I love these names,
Wherewith the lonely farmer tames Nature to mute companionship With his own mind's domestic mood, And strives the surly world to clip In the arms of familiar habitude.
'T is well he could not contrive to make A Saxon of Agamenticus:
He glowers there to the north of us, Wrapt in his blanket of blue haze, Unconvertibly savage, and scorns to take The white man's baptism or his ways. Him first on shore the coaster divines Through the early gray, and sees him shake
The morning mist from his scalp-lock of pines;
Him first the skipper makes out in the
Ere the earliest sunstreak shoots tremu
Plashing with orange the palpitant lines Of mutable billow, crest after crest, And murmurs Agamenticus!
As if it were the name of a saint.
But is that a mountain playing cloud, Or a cloud playing mountain, just there, so faint ?
Look along over the low right shoulder Of Agamenticus into that crowd
Of brassy thunderheads behind it;
Now you have caught it, but, ere you are older
By half an hour, you will lose it and find it A score of times; while you look 't is gone, And, just as you 've given it up, anon It is there again, till your weary eyes Fancy they see it waver and rise, With its brother clouds; it is Agiochook,
There if you seek not, and gone if you look,
Ninety miles off as the eagle flies.
But mountains make not all the shore The mainland shows to Appledore; Eight miles the heaving water spreads To a long, low coast with beaches and heads
That run through unimagined mazes, As the lights and shades and magical hazes Put them away or bring them near, Shimmering, sketched out for thirty miles Between two capes that waver like threads, And sink in the ocean, and reappear, Crumbled and melted to little isles, With filmy trees, that seem the mere Half-fancies of drowsy atmosphere; And see the beach there, where it is Flat as a threshing-floor, beaten and packed With the flashing flails of weariless seas, How it lifts and looms to a precipice, O'er whose square front, a dream, no
Eastward as far as the eye can see, Still eastward, eastward, endlessly, The sparkle and tremor of purple sea That rises before you, a flickering hill, On and on to the shut of the sky, And beyond, you fancy it sloping until The same multitudinous throb and thrill That vibrate under your dizzy eye In ripples of orange and pink are sent Where the poppied sails doze on the yard, And the clumsy junk and proa lie Sunk deep with precious woods and nard, 'Mid the palmy isles of the Orient. Those leaning towers of clouded white On the farthest brink of doubtful ocean,
How looks Appledore in a storm?
I have seen it when its crags seemed frantic,
Butting against the mad Atlantic, When surge on surge would heap enorme, Cliffs of emerald topped with snow, That lifted and lifted, and then let go A great white avalanche of thunder, A grinding, blinding, deafening ire Monadnock might have trembled under; And the island, whose rock-roots pierce below
To where they are warmed with the central fire,
You could feel its granite fibres racked, As it seemed to plunge with a shudder
Right at the breast of the swooping hill, And to rise again snorting a cataract Of rage-froth from every cranny and ledge, While the sea drew its breath in hoarse
And the next vast breaker curled its edge, Gathering itself for a mightier leap.
North, east, and south there are reefs and breakers
You would never dream of in smooth weather,
That toss and gore the sea for acres,
Bellowing and gnashing and snarling together;
Look northward, where Duck Island lies,
And over its crown you will see arise, Against a background of slaty skies, A row of pillars still and white,
That glimmer, and then are gone from sight,
As if the moon should suddenly kiss, While you crossed the gusty desert by night,
The long colonnades of Persepolis; Look southward for White Island light, The lantern stands ninety feet o'er the tide;
There is first a half-mile of tumult and fight,
Of dash and roar and tumble and fright, And surging bewilderment wild and wide, Where the breakers struggle left and right, Then a mile or more of rushing sea, And then the lighthouse slim and lone; And whenever the weight of ocean is
Full and fair on White Island head,
A great mist-jotun you will see Lifting himself up silently High and huge o'er the lighthouse top, With hands of wavering spray outspread, Groping after the little tower,
That seems to shrink and shorten and cower,
Till the monster's arms of a sudden drop, And silently and fruitlessly
He sinks back into the sea.
You, meanwhile, where drenched you stand, Awaken once more to the rush and roar, And on the rock-point tighten your hand, As you turn and see a valley deep,
That was not there a moment before, Suck rattling down between you and a heap Of toppling billow, whose instant fall Must sink the whole island once for all, Or watch the silenter, stealthier seas
Feeling their way to you more and more; If they once should clutch you high as the knees,
They would whirl you down like a sprig of kelp,
Beyond all reach of hope or help; - And such in a storm is Appledore.
'T is the sight of a lifetime to behold The great shorn sun as you see it now, Across eight miles of undulant gold That widens landward, weltered and rolled,
With freaks of shadow and crimson stains; To see the solid mountain brow
As it notches the disk, and gains and gains, Until there comes, you scarce know when, A tremble of fire o'er the parted lips Of cloud and mountain, which vanishes; then
From the body of day the sun-soul slips And the face of earth darkens; but now the strips
Of western vapor, straight and thin, From which the horizon's swervings win A grace of contrast, take fire and burn Like splinters of touchwood, whose edges a
Of ashes o'erfeathers; northward turn For an instant, and let your eye grow cold On Agamenticus, and when once more You look, 't is as if the land-breeze, grow- ing,
From the smouldering brands the film were blowing,
And brightening them down to the very
Yet they momently cool and dampen and deaden,
The crimson turns golden, the gold turns leaden,
Hardening into one black bar
O'er which, from the hollow heaven afar, Shoots a splinter of light like diamond, Half seen, half fancied; by and by Beyond whatever is most beyond In the uttermost waste of desert sky, Grows a star;
And over it, visible spirit of dew, - Ah, stir not, speak not, hold your breath, Or surely the miracle vanisheth, The new moon, tranced in unspeakable blue!
No frail illusion; this were true, Rather, to call it the canoe Hollowed out of a single pearl,
That floats us from the Present's whirl Back to those beings which were ours, When wishes were winged things like pow- ers !
Call it not light, that mystery tender, Which broods upon the brooding ocean That flush of ecstasied surrender
To indefinable emotion,
That glory, mellower than a mist Of pearl dissolved with amethyst, Which rims Square Rock, like what they
Of mitigated heavenly splendor Round the stern forehead of a Saint!
No more a vision, reddened, largened, The moon dips toward her mountain nest, And, fringing it with palest argent, Slow sheathes herself behind the margent Of that long cloud-bar in the West, Whose nether edge, erelong, you see The silvery chrism in turn anoint, And then the tiniest rosy point Touched doubtfully and timidly Into the dark blue's chilly strip, As some mute, wondering thing below, Awakened by the thrilling glow, Might, looking up, see Dian dip One lucent foot's delaying tip In Latmian fountains long ago.
Knew you what silence was before? Here is no startle of dreaming bird That sings in his sleep, or strives to sing; Here is no sough of branches stirred, Nor noise of any living thing, Such as one hears by night on shore; Only, now and then, a sigh, With fickle intervals between, Sometimes far, and sometimes nigh, Such as Andromeda might have heard, And fancied the huge sea-beast unseen Turning in sleep; it is the sea That welters and wavers uneasily Round the lonely reefs of Appledore.
"Your inspiration is still to you a living mistress make her immortal in her promptings and her consolations by imaging her truly in art. Mine looks at me with eyes of paler flame and beckons across a gulf. came into my loneliness like an incarnate aspiration. And it is dreary enough sometimes, for a mountain-peak on whose snow your foot makes the first mortal print is not so lonely as a room full of happy faces from which one is missing forever. This was originally the fifth stanza of The Windharp.
O tress! that so oft in my heart hast lain,
Rocked to rest within rest by its thankful beating, Say, which is harder to bear the pain Of laughter and light, or to wait in vain
'Neath the unleaved tree the impossible meeting? If Death's lips be icy, Life gives, iwis,
Some kisses more clay-cold and darkening than his ! Forgive me, but you spoke of it first." J. R. L. to W. J. Stillman, December 7, 1854.
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