The Tourist: A New Theory of the Leisure Class

actual advertisement American analysis appear areas aspect attractions authentic become beginning building called collective consciousness construction cultural designed differentiation display distinction elements entire establishments example existence experience fact front human idea important individual industrial institutions interest International involvement Italy kind leisure less living look Mark marker matter means modern society modern world moral movement museums nature object once organization original Paris parks perhaps picture possible present problem production reality recent regions relations relationship represented seems sense sight sightseeing sightseers social structure sociology stage status suggested symbolic things tion tour tourist tourist attractions traditional transformed true truth turn United universal values visitors workers York Young